Life of Edwin Forrest, the American Tragedian. Volume 1 (of 2)Alger, Horatio, Jr.
General
Life of Edwin Forrest, the American Tragedian. Volume 1 (of 2)
Alger, Horatio, Jr.
Forrest, Edwin, 1806-1872
"The time soon came, however, when he began to reap a harvest of
profit as well as fame. And one of the first uses to which he turned
his prosperity was to arouse the dramatic talent of his countrymen.
The fruits of his liberality and judgment are several of the most
popular and meritorious tragedies which have been produced on the
modern stage. One of them, wholly American in its character and
incidents, has been performed more frequently and with more advantage
to the theatres than any other play in the same period of time on
either side of the Atlantic. Though not without defects as a drama,
it has the merit of presenting a strong and natural portrait of one
of the most remarkable warriors of a race the last relics of which
are fast melting away before the advancing tide of civilization.
Yet, whatever the intrinsic qualities of the production, no one
has witnessed it without feeling that its popularity is mainly to
be ascribed to the bold, faithful, and spirited personation of the
principal character; and, as the original of Metamora died with King
Philip, so his scenic existence will terminate with the actor who
introduced him to the stage. Among the other dramatic productions
which the same professional perspicuity and generous feeling gave
rise to are two or three of extraordinary merit. One of them, The
Gladiator, for scenic effect, strongly-marked and well-contrasted
characters, and fine nervous language, is surpassed by few dramas of
modern times.
"But while this young actor was thus encouraging with liberal hand the
literary genius of our countrymen, many an admiring audience beheld
through the medium of his personations the noblest creations of the
noblest bards of the Old World 'live o'er the scene' in all that
reality which only acting gives.
"''Tis by the mighty actor brought,
Illusion's perfect triumphs come;
Verse ceases to be airy thought,
And sculpture to be dumb.'
"Gentlemen, I have thus far dwelt on points in this performer's
history and character with which you are all acquainted. There are
other topics on which I might touch--did I not fear to invade the
sanctuary of the heart--not less entitled to your admiration. But
there are some feelings in breasts of honor and delicacy which, though
commendable, cannot brook exposure; as there are plants which flourish
in the caves of ocean that wither when brought to the light of day. I
shall therefore simply say that in his private relations, as in his
public career, he has _performed well his part_, and made esteem a
twin sentiment with admiration in every heart that knows him. I need
not tell you, gentlemen, that I speak of EDWIN FORREST.
Public-domain text, read in full here on John Shaqi.
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