Life of Edwin Forrest, the American Tragedian. Volume 1 (of 2)Alger, Horatio, Jr.
General
Life of Edwin Forrest, the American Tragedian. Volume 1 (of 2)
Alger, Horatio, Jr.
Forrest, Edwin, 1806-1872
From this point onward to the close all was moulded and wrought up in
perfect keeping. He had fashioned to himself a complete image of what
Rolla should be in accordance with the conception in the play, his
carriage, walk, and attitudes, his style of gesture, his physiognomy,
his tone and habit of voice. He had imprinted this idea so deeply in
his brain, and had trained himself so carefully to its consistent
manifestation, that his portrayal on the stage had all the unity of
design and precision of detail which characterize the work of a
masterly painter. Instead of using canvas, pigment, and brush, he
painted his part in the air in living pantomime. In all his rôles this
was his manner more and more up to the crowning period of his career.
He gave extraordinary effectiveness to the famous address which Rolla
pronounces to the Peruvian warriors on the eve of battle, by the manly
truth and simplicity of his delivery,--"My brave associates, partners
of my toil, my feelings, and my fame." Instead of launching forth in a
swollen and mechanical declamation, he spoke with the straightforward
truth and the varied and hearty inflection of nature; and his honest
earnestness woke responsive echoes in every breast. Like Macklin and
Garrick on the English stage, Talma on the French, and Devrient on the
German, Forrest on the American was a bold and original innovator on
the inveterate elocutionary mannerism of actors embodied in what is
universally known as theatrical delivery. For the mouthing formality,
the torpid noisiness, the strained monotony and forced cadences of
the routine players, these men of genius substituted--only enlarging
the scale of power--the abruptness, the changes, the conversational
vivacity of tone, emphasis, and inflection, which are natural to a free
man with a free voice played upon by the genuine passions of life. This
was one of the chief excellences and attractions of Forrest throughout
his professional course. He was ever a man uttering thoughts and
sentiments,--not an elocutionist displaying his trade.
Public-domain text, read in full here on John Shaqi.
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