Life of Edwin Forrest, the American Tragedian. Volume 1 (of 2)Alger, Horatio, Jr.
General
Life of Edwin Forrest, the American Tragedian. Volume 1 (of 2)
Alger, Horatio, Jr.
Forrest, Edwin, 1806-1872
And at another time: "The pale-faces are around me thicker than the
leaves of summer. I chase the hart in the hunting-grounds; he leads me
to the white man's village. I drive my canoe into the rivers; they are
full of the white man's ships. I visit the graves of my fathers; they
are lost in the white man's corn-fields. They come like the waves of
the ocean forever rolling upon the shores. Surge after surge, they dash
upon the beach, and every foam-drop is a white man. They swarm over
the land like the doves of winter, and the red men are dropping like
withered leaves."
In these passages his declamation seemed to make the whole tragedy of
the story of the American Indians breathe and swell and tremble.
A wonderful interest, too, was concentrated in the personal traits of
Metamora himself as an individual; so true to his word, so faithful to
his friend, so devoted to his wife and child, so proud of his land and
his fathers, so fearless of his foe, so reverential before his God. "To
his friend Metamora is like the willow,--he bends ever at the breath of
those that love him. To others he is an oak. Until with your single arm
you can rive the strongest tree of the forest from its earth, think not
to stir Metamora when his heart says No."
In the earliest scene with his wife, when ready to start on a hunt,
he lingered, and directed her to take her child from its couch on the
earth. He then lifted it in his hands, and stood for several seconds
in an attitude so superbly defined in its outlines of strength and
grace that several pictures of it were published at the time. He asked,
with a look of fondness, suppressing his stern reserve, "Dost thou
not love this little one, Nahmeokee?" "Ah, yes!" she replied. He then
continued, in a caressing murmur like the runneling music of a brook,
"When first his little eyes unclosed, thou saidst that they were like
to mine." The expression of human love was so simple and complete, and
so exquisitely set in the wild seclusion of nature, suggestive of the
self-sufficingness of this little nest of affection embosomed in the
wood and forgetful of all else in the world, that it made many a soft
heart beat fast with an aching wish that stayed long after the scene
was gone.
Public-domain text, read in full here on John Shaqi.
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