Life of Edwin Forrest, the American Tragedian. Volume 1 (of 2)Alger, Horatio, Jr.
General
Life of Edwin Forrest, the American Tragedian. Volume 1 (of 2)
Alger, Horatio, Jr.
Forrest, Edwin, 1806-1872
"America has at length vindicated her capability of producing a native
dramatist of the highest order, whose claims should be unequivocally
acknowledged by the Mother Country; and has rendered back some portion
of the dramatic debt so long due to us in return for the Cookes, the
Keans, the Macreadys, the Knowleses, and the Kembles, whom she has,
through a long series of years, seduced, at various times, to her
shores,--the so long doubted problem being happily solved by Mr. Edwin
Forrest, the American tragedian, who made his first appearance last
night on these boards, with a success as triumphant as could have been
desired by his most enthusiastic admirers on the other side of the
Atlantic. Of the numerous striking situations and touching passages in
the play, Mr. Forrest availed himself with great tact, discrimination,
and effect; now astounding all eyes and ears by the overwhelming
energy of his physical powers, and now subduing all hearts by the
pathos of his voice, manner, and expression. The whole weight of the
piece rests upon him alone, and nobly does he sustain it. His action
is easy, graceful, and varied; and his declamation is perfectly free
from the usual stage chant, catchings, and points. Indeed, nature
alone seems to have been his only model."
The "Sun" of the same date said,--
"Mr. Edwin Forrest, who has long held the first rank as a tragic actor
in America, made his first appearance here last night in a new drama,
also of American growth, entitled the _Gladiator_. The acting of Mr.
Forrest as Spartacus was throughout admirable. His very figure and
voice were in his favor, the one being strongly muscular, the other
replete with a rough music befitting one who in his youth has dwelt,
a free barbarian, among the mountains. He electrified his audience;
indeed, we have not heard more enthusiastic bursts of applause shake
the walls of an English theatre since _Othello_ expired with poor
Kean. The great recommendations of Mr. Forrest as a tragedian we take
to be strong passion, and equally strong judgment. In the whirlwind
of his emotions he never loses sight of self-control. He is the
master, not the slave, of his feelings. He appeals to no fastidious
coterie for applause; he is not remarkable for the delivery of this or
that pretty tinkling poetic passage; still less is he burdened with
refined sensibility, which none but the select few can understand; far
otherwise; he gives free play to those rough natural passions which
are intelligible all the world over. His pathos is equally sincere and
unsophisticated. His delivery of the passage,--
'And one day hence,
My darling boy, too, may be fatherless,'--
was marked by the truest and tenderest sensibility. Equally successful
was he in that pleasing pastoral idea,--
'And Peace was tinkling in the shepherd's bells,
And singing with the reapers;'
Public-domain text, read in full here on John Shaqi.
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