was wholly deficient in spirit, until Mr. Forrest came to the last member of the sentence, which was given with due and proper emphasis. In the rencounter with Macduff, where Macbeth declares that he 'bears a charmed life,' the passage ought to be uttered as the proud boast of one who was confident of supernatural protection, and not in a taunting, sneering manner. Mr. Forrest's error is on the right side, and is very easily corrected. Doubtless, in his future performance of the character he will assume a higher tone in those parts of the play to which we have alluded." The Morning Chronicle said,-- "Mr. Forrest appeared last evening in the character of Macbeth, and in the performance of it fully sustained the reputation he has already obtained in the parts of Othello and Lear. Mr. Forrest brings to the performance of Shakspeare's heroes an energy and vigor, tempered with a taste and judgment, such as we rarely find combined in any who venture to tread the stage. There is, besides, a reality in his acting, an actual identification of himself with the character he impersonates, stronger than in any actor we have ever seen. If this was remarkable in his performance of Othello and Lear, it is not less so in the performance of Macbeth. From the first act to the last--from his first interview with the weird sisters, whose vague prophecy instills into the mind that feeling of 'vaulting ambition' which leads him to the commission of so many crimes, to the last scene, in which he finds his charms dissolved, and begins, too late, to doubt 'the equivocation of the fiend'--he carried the audience completely with him, and made them at times wholly unmindful of the skill of the actor, from the interest excited in the actions of Macbeth." In addition to his renderings of Spartacus, Othello, Lear, and Macbeth, Forrest appeared also as Damon, and achieved a success similar to that he had won in the same part at home. "The part of _Damon_ is decidedly beneath Mr. Forrest's acknowledged talents. No man could, however, have made more of the character than he did, whether he appeared as the stern, uncompromising patriot, the deep-feeling husband and father, or the generous and devoted friend. His rebuke of the slavish senate, who crouch at the feet of the tyrant Dionysius, was delivered with calm and earnest dignity; but his two great scenes were that in which he learns that his freedman, Lucullus, has slain his horse to prevent the anxious Damon from arriving in time to rescue his beloved Pythias from the hands of the executioner; and that with which the piece concludes, where, breathless and exhausted, he rushes into the presence of his despairing friend.