Life of Edwin Forrest, the American Tragedian. Volume 1 (of 2)Alger, Horatio, Jr.
General
Life of Edwin Forrest, the American Tragedian. Volume 1 (of 2)
Alger, Horatio, Jr.
Forrest, Edwin, 1806-1872
The dramatic art, based on the science of human nature in the
revelation of its inner states through outer signs, is the exercise
of that power whereby man can indefinitely multiply his personality
and life, by identifying himself with others, or others with himself,
by divesting himself of himself and entering into the characters,
situations, and experiences of those whom he beholds or reads of or
creatively imagines. This definition elevates the art, in its pure
practice, high above the reach of cavil; for its central principle is
the essence of that disinterested sympathy and vicarious atonement
whose culmination on Calvary have deified the Christ.
Let us trace a little the rise and nature of this power from a point
of view somewhat different from the one in which we have already
considered it.
The life of a peach-tree, a rose-bush, or a squash-vine is rigidly
determined for it in advance by the seed from which it springs and
the soil and climate in which it grows. Its life is simply the sum of
actions and reactions between the forces in itself and the forces
in its environment; and this sum of dynamic relations is fixed
fatally by its organic structure. To a degree the same is true of
the life of a weasel, a pig, a horse, or an eagle; but this with two
modifications, two elements of greatening freedom and variety. First,
in connection with the consciousness and the power of locomotion
which distinguish the animal from the vegetable, it can change
its environment, from cliff to cave, from village to desert, from
field to shore, from hill to valley, or from a temperate zone to a
tropical, thus securing a large mass of changes in its surrounding
conditions, resulting in a correspondent diversity or increase in that
sum of actions and reactions which composes its life. Second, the
gregarious nature of animals enables them likewise, to some extent,
to supplement one another, to exchange states of consciousness and
unite their experience. Crows hold consultations and caw with mutual
intelligibility. A flock of wild geese understand the honk of their
leader, and obey every signal perfectly. Bees converse, build, hunt,
wage war, and carry on their little monarchical republic with amazing
cunning and consent.
Public-domain text, read in full here on John Shaqi.
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