Life of Edwin Forrest, the American Tragedian. Volume 1 (of 2)Alger, Horatio, Jr.
General
Life of Edwin Forrest, the American Tragedian. Volume 1 (of 2)
Alger, Horatio, Jr.
Forrest, Edwin, 1806-1872
A fortunate occurrence set the boy at work just at the right time and
in the right direction. Wherever a Circus travels through the country,
its performances take powerful effect on the impressible sympathies
of energetic and ambitious youths. As it departs, it often leaves
behind it a line of emulous lads, in mimic repetition of its scenes,
climbing ropes, leaping bars, walking on their hands, standing on their
heads, throwing somersaults, or posturing, balancing, and wrestling.
Such an experience befell Edwin, and his physical improvement under
it was rapid. It deepened his breathing, invigorated the circulation
of his blood, and straightened him up, bringing out his breast and
throwing back his shoulders. And in his seventeenth year, the period
which we have now reached, he was as fine a specimen of a manly
youth as one might wish to see. He had a free, open bearing, with
steadily-confronting eyes, and a clear, deep voice. He had never been
bashful; neither was he ever impudent or shameless. He was at once
self-possessed and modest, combining an air of sincerity and justice
with an expression of democratic independence. Such was the result, in
his outward appearance, of his character, his parental inheritance and
training, his dramatic practice, and his gymnastic exercises.
Accordingly, when, early in the September of 1822, it was announced
that the proprietors of the three theatres at Pittsburg, Lexington,
and Cincinnati had come to Philadelphia for the purpose of engaging
a company to perform alternately in those cities, and young Forrest,
depressed and impatient from the failure of his previous attempts to
secure a regular engagement, made personal application to manager
Jones, that gentleman was so much pleased with his words and his
bearing that he at once struck a bargain with him. The agreement was
that for a compensation of eight dollars a week he should play, without
a question, whatever parts he was cast in, no matter how high or how
low the parts were. He was willing now, despite his precocious starring
experiences, to take this humble position and hold himself ready for
anything at the beck and call of his superior, because he had come
keenly to feel how little he knew and how much he had to learn. And
his sound sense, with the good advice he had received, taught him that
there offered no other way so thoroughly and rapidly to master his
profession as by submitting to a regular drill in the miscellaneous
parts of the working stage, from top to bottom. He saw his path
to the dramatic throne through the steps of a docile and patient
apprenticeship.
Public-domain text, read in full here on John Shaqi.
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