Life of Edwin Forrest, the American Tragedian. Volume 1 (of 2)Alger, Horatio, Jr.
General
Life of Edwin Forrest, the American Tragedian. Volume 1 (of 2)
Alger, Horatio, Jr.
Forrest, Edwin, 1806-1872
The fortunes of the Globe were in such a state that the establishment
was on the point of breaking up, when Sol Smith hired it for one night.
He brought out three pieces, the comedy of Modern Fashions, a farce
entitled The Tailor in Distress, and the pantomime of Don Quixote. He
agreed to pay each performer two dollars. For this sum Forrest acted
a dandy in the first play, a negro in the second, and Sancho Panza
in the third. The Tailor in Distress was a light affair, composed by
Sol Smith, turning on local matters well known and very ludicrous.
The part of Ruban, the negro, assigned to Forrest, was full of songs,
dances, and fun. He was a servant, and his wife, who had nothing to
say, was to appear with him as a help to set off his performance. He
blacked himself up and rigged his costume quite to his content, when
it occurred to his thought that no one had been got for the part of
his black wife. He applied to the women of the theatre, but not one of
them was willing to black herself for the occasion. He recollected his
old African washerwoman, who lived in a shanty close by. He hurried
thither and knocked and went in. Dinah cried, "Wha, bress me! who am
dis? Gosh-a-massy, who be you? Whose chile am you?" He answered, in a
negro voice, "Wha, Dinah, duzzent you know Sambo?" "What Sambo?" she
answered. "No, I duzzent know nothin' about you. Who is you?" "Heaw!
heaw! You duzzent know me! Now, don't you petend you am ign'rant ob
dis chile." "Well, I say I be, and want to know who you am!" Time was
pressing, and he said, in simple earnest, "Dinah, I am Mr. Forrest,
from the theatre. I am all blacked and dressed to play the part of a
negro, and I must have a black wife to go on the stage with me. I want
you to do it." The astonished and incredulous washerwoman responded,
"De debbil you does!" Sharply examining her visitor, she recognized
him. "Reely, now, it be de fac'. You am Mass' Forrest. But what a funny
nigger you am! You nigger all ober!" "Yes, Dinah, but hurry along, or
we shall be late." "Well, I duzzent care; I goes along wid you anyhow."
So they hastened arm-in-arm to the theatre, and got there just in time.
The appearance of the darkies was greeted with loud applause, and when
Ruban began to let out the regular cuffy, as he always could in the
most irresistible way, with wide and suddenly breaking inflections of
voice, breathing guffaw, and convulsive double-shuffle, the enthusiasm
of the audience reached the highest pitch. The play was repeated
several nights to crowds.
Public-domain text, read in full here on John Shaqi.
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