Life of Edwin Forrest, the American Tragedian. Volume 1 (of 2)Alger, Horatio, Jr.
General
Life of Edwin Forrest, the American Tragedian. Volume 1 (of 2)
Alger, Horatio, Jr.
Forrest, Edwin, 1806-1872
New Orleans at that time was a city of about thirty thousand
inhabitants. It was the chief commercial and social capital of the
South, and thoroughly conscious of its pre-eminence. On its small
but concentrated scale it was the gayest, most Parisian city in the
country. The Spanish and French blood of the original settlers of
Louisiana and of their early followers was largely represented in its
leading families. Then and there the chivalry of the slave-holding
South, in all its patrician characteristics both of virtue and of vice,
was at the acme of its glory. The types of men were unquestionably the
most varied and sharply defined and pushed to the greatest extremes of
development, the freedom and beauty of the women the most intoxicating
and dangerous, the social life the most voluptuous, passionate, and
reckless, of those of any city in the United States. Wealth was great,
easily found, carelessly lost, leisure ample, pride intense, living
luxurious, manly sports and exercises in physical training assiduously
cultivated, gambling common, duelling and every form of desperate
personal conflict constant, the code of manners alternately bewitching
in courtesy and terrible in ferocity. From every part of the State the
gentlemen planters loved to congregate in New Orleans, perfect masters
of their limbs, their faculties, their weapons, and their horses, not
knowing fear or embarrassment, living their thoughts and passions
spontaneously out, their tall forms aflush with bold sensibility, the
rich strength and grace of the thoroughbred pointing their elastic
motions. And in the parlor, the ball-room, at fashionable resorts, on
the promenades, the women were the peers of the men in their intensity
of being, their fondness of adventure, their courage, brilliance,
and piquancy. The crossing of tropical bloods, the long lineage of
aristocratic habitudes of ardent indulgence and leisurely culture, had
produced a class of women famed throughout the land for the symmetry
of their forms, the visible music of their movements, the dreamy
softness of their voices, and the bewildering charm of their eyes,
swimming seas of languor and fire. Many an imaginative and burning
nature asked no other paradise than the arms of these Creole houris.
But, unfortunately, the reverse of being immortal, its dissolving
views melted into degradation and vanished in death, too often with
accompaniments of frantic jealousy, crime, and horror.
Public-domain text, read in full here on John Shaqi.
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