Life of Edwin Forrest, the American Tragedian. Volume 2 (of 2)Alger, Horatio, Jr.
General
Life of Edwin Forrest, the American Tragedian. Volume 2 (of 2)
Alger, Horatio, Jr.
Forrest, Edwin, 1806-1872
But the most beautiful of all his relations with women of the dramatic
profession was the long and sacred friendship subsisting between him and
Mrs. Sarah Wheatley. This honored lady, distinguished even more for the
rare strength and beauty of her character than for her extraordinary
histrionic talent, was a great favorite with the theatrical public of
New York. She was one of the few examples that charm and uplift all who
feel their influence, of a perfectly balanced womanhood, commanding the
whole range of feminine virtues, from modest gentleness and self-denial
to august dignity and authority, fitted to sweeten, adorn, or aggrandize
any station. She first went upon the stage, without any preparatory
training, to relieve and support her family, and, as it were by
instinctive fitness, was instantly at home and a mistress there. And
after withdrawing from the public, she lived amidst the worship of her
children and her children’s children to an extreme old age, full of
exalted worth and serenity, the admiration and delight of the widest
circle of friends, who felt that the atmosphere of her presence and
manner more than repaid every attention they could lavish on her. Mrs.
Wheatley saw the Othello of Forrest on the memorable night he played for
the benefit of poor Woodhull. She felt his power, foresaw what he might
become, and, with a generous impulse, went to him from behind the scenes
and spoke kindly to him words of warm appreciation. The poor, unfriended
youth was deeply touched. This was the beginning of an acquaintance
which was never interrupted or shadowed by the faintest cloud, but grew
stronger and holier to the end. She never noticed his foibles, for he
never had them in her presence; and he thought of her with a loving
veneration second only to that he felt for his mother. Her son, Mr.
William Wheatley,—widely known to the dramatic profession as actor and
manager, and esteemed by all for his talent, integrity, and refinement,—
speaking of the beauty of this friendship after the death of the great
tragedian, whom he had known long and most intimately, said, “If there
was one sentiment deeper and keener than any other in the soul of
Forrest, it was his reverence for a pure and good woman: and I know that
his esteem for my mother approached idolatry, and that she regarded him
with maternal fondness.”
Public-domain text, read in full here on John Shaqi.
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