Life of Edwin Forrest, the American Tragedian. Volume 2 (of 2)Alger, Horatio, Jr.
General
Life of Edwin Forrest, the American Tragedian. Volume 2 (of 2)
Alger, Horatio, Jr.
Forrest, Edwin, 1806-1872
“MY DEAR MR. FORREST,—I understand from my aunt, Mrs. Fisher, that
during my absence from America, and when she had become destitute
from the effects of the war, you were kind enough to let her have
one hundred dollars.
“My being nearly related to the lady sufficiently explains why I
enclose you the sum you so generously gave.
“Permit me to offer my condolence in your late sad loss, and to ask
pardon for addressing you at such a time.
“Faithfully yours,
“J. JEFFERSON.
“TO EDWIN FORREST.”
“PHILADELPHIA, June 15th, 1871.
“DEAR MR. JEFFERSON,—I received your note of 13th inst., covering a
check for one hundred dollars, in payment of a like sum loaned by
me, some years since, to your relative, Mrs. Fisher.
“I have no claim whatever on you for the liquidation of this debt.
Yet, as the motive is apparent which prompts you to the kindly act,
I make no cavil in accepting its payment from you.
“With thanks for the touching sympathy you express in my late
bereavement, I am sincerely yours,
“EDWIN FORREST.
“J. JEFFERSON, ESQ.”
When an actor vanquishes the jealous instinct of his tribe and really
admires another, his professional training gives a distinct relish and
certainty to his praise. When Garrick heard of the decease of Mrs.
Theophilus Cibber, a sister of Arne the musician, he said, “Then Tragedy
is dead on one side.” Also when seeing Carlin Bertinazzi in a piece
where, having been beaten by his master, he threatened him with one hand
while rubbing his wounded loins with the other, Garrick was so delighted
with the truthfulness of the pantomime that he cried, “See, the back of
Carlin has its expression and physiognomy.” Old Quin had a strong
aversion to Mrs. Bellamy, and a conviction that she would fail. But at
the close of the first act, as she came off the stage, he caught her in
his arms, exclaiming, generously, “Thou art a divine creature, and the
true spirit is in thee.” Within a year of the expulsion of Mrs. Siddons
from Drury Lane as an uninteresting performer, Henderson declared that
“she was an actress who had never had an equal and would never have a
superior.” She remembered this with deep gratitude to her dying day; and
when his death had left his family poor she played Belvidera in Covent
Garden for their benefit.
Public-domain text, read in full here on John Shaqi.
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