Life of Edwin Forrest, the American Tragedian. Volume 2 (of 2)Alger, Horatio, Jr.
General
Life of Edwin Forrest, the American Tragedian. Volume 2 (of 2)
Alger, Horatio, Jr.
Forrest, Edwin, 1806-1872
From the boundless lakes and rivers, from our broad continuous climes,
Over which the bell of Freedom sounds her everlasting chimes,
Thou didst catch that breadth of manner; and to wreath the glorious
whole,
Sacred flames are ever leaping from thy democratic soul.
Welcome then that look of grandeur, welcome then that stately mien,
Always shedding native glory o’er the wondrous mimic scene,
Always like a mighty mirror glassing Vice or Virtue’s star,
Giving Time his very pressure, showing Nations as they are!
After a long absence from Albany, Forrest fulfilled an engagement there
in 1864. It carried his mind back to his early struggles in the same
place, though few of the kind friends who had then cheered him now
remained. There was no vacant spot, however, any more than there was any
loss of fervor. On the last night the audience—so crowded that “they
seemed actually piled on one another in the lobbies”—called him before
the curtain and asked for a speech. He said,—
“I am very glad, ladies and gentlemen, that an opportunity is thus
afforded me to say a few words, to thank you for your generous welcome
here, and also for the kind applause you have lavished on my
performances. In Albany I seem to live a twofold existence,—I live one
in the past, and I live one in the present,—and both alike are filled
with the most agreeable memories. Here, within these very walls, even in
my boyish days, I was cheered on to those inspiring toils
‘Which make man master men.’
Here, within these walls, while yet in my boyish days, one of the
proudest honors of my professional life was achieved; for I here essayed
the part of Iago to the Othello of the greatest actor that ‘ever lived
in the tide of times,’—Edmund Kean. To me there is music in the very
name,—Edmund Kean, a name blended indissolubly with the genius of
Shakspeare; Edmund Kean, who did more by his acting to illustrate the
Bard of all time than all the commentators from Johnson, Warburton, and
Steevens down to the critics of the present day. It was said of Edmund
Kean by a distinguished English poet, that ‘he read Shakspeare by
flashes of lightning.’ It is true; but those flashes of lightning were
the coruscations of his own divine mind, which was in affinity with the
mind of Shakspeare. Now I must beg leave to express my heartfelt thanks
for this demonstration of your favor, hoping at no distant day to meet
you again.”
Public-domain text, read in full here on John Shaqi.
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