Life of Edwin Forrest, the American Tragedian. Volume 2 (of 2)Alger, Horatio, Jr.
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Life of Edwin Forrest, the American Tragedian. Volume 2 (of 2)
Alger, Horatio, Jr.
Forrest, Edwin, 1806-1872
The falsehood, the injustice, the plots, insincerity and triviality that
gather about the surfaces and course of a showy popular career Forrest
experienced in their full extent. He was not deceived by them, but saw
through them. They repelled and disgusted him, angered and depressed
him. They did not make him a misanthrope, but they chilled his demeanor,
hardened his face, checked the trustfulness of his sympathy, and gave
him an increasing distaste for convivial scenes and an increased liking
for his library and the chosen few in whom he could fully confide. He
was a man who esteemed justice and sincerity above all things else.
Flattery or interested eulogy he detested as much as he did venal
prejudice and blame. He loathed the unmeaning, conventional praises of
the journals, the polite compliments of acquaintances or strangers, but
was glad of all honest estimates. His dignity kept him from mingling
with the audience as they conversed on their way out of the theatre, but
he loved to hear what they said when it was repeated by one whom he
could trust. Nothing more surely proves that deep elements of love and
pride instead of shallow vanity and selfishness formed the basis of his
character than the fact that he hated to mix in great companies, either
public or private, where he was known and noticed, but loved to mingle
with the population of the streets, with festive multitudes, where,
unrecognized, he could look on and enter into their ways and pleasures.
“It is a great feat,” he used to say, “to resist the temptations of our
friends.” He did it when he withdrew from the obstreperous enthusiasm of
those who adulated him while revelling at his expense and shouting, “By
heaven, Forrest, you are an institution!”—forsaking them, and giving
himself exclusively to nature, his art, his books, and his disinterested
friends.
The practice of the arts of purchasing unearned praise, the tricks of
the mean to circumvent the noble, the accredited verdicts of titled
ignorance, and the fickle superficiality of popular favor, lessen the
value of common fame in the eyes of all who understand these things.
They foul its prizes and repel ingenuous spirits from its pursuit. The
same influence is exerted in a yet stronger degree by the experience of
the malignant envy awakened in plebeian natures by the sight of the
success of others contrasted with their own failure. It was long ago
remarked that
“With fame in just proportion envy grows;
The man that makes a character makes foes.”
Public-domain text, read in full here on John Shaqi.
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