Life of Edwin Forrest, the American Tragedian. Volume 2 (of 2)Alger, Horatio, Jr.
General
Life of Edwin Forrest, the American Tragedian. Volume 2 (of 2)
Alger, Horatio, Jr.
Forrest, Edwin, 1806-1872
Now, there are four generic codes of manners in society, each of which
has its specific varieties, and all of which are exemplified in the
theatre,—that great explicit “mirror of fashion and mould of form.”
First there is the code of royal manners, the proper behavior of kings.
Kings are all of one family. They are all free, neither commanding one
another nor obeying one another, each one complete sovereign in himself
and of himself. The sphere of his personality is hedged about by a
divinity through which no one ventures to peep for dictation or
interference. In his relations with other persons the king is not an
individual, but is the focal consensus of the whole people over whom he
is placed, the apex of the collective unity of the nation. He therefore
represents public universality and no private egotism. He is the symbol
of perfect fulfilment, wealth, radiance, joy, peace. By personal will he
imposes nothing, exacts nothing, but like the sun sheds impartially on
all who approach him the golden largess of his own complete
satisfaction. That is the genuine ideal of royal manners. But the actual
exemplification is often the exact opposite,—an egotistic selfishness
pampered and maddened to its very acme. Then the formula of kingly
behavior is the essence of spiritual vulgarity and monopolizing
arrogance, namely, I am the highest of all: therefore every one must bow
to me and take the cue from me! Then, instead of representing the
universal, to enrich all, he degrades the universal into the individual,
to impoverish all. Then his insolent selfishness at the upper extreme
produces deceit and fawning at the lower extreme. The true king imposes
nothing, asks nothing, takes nothing, though all is freely offered him,
because he radiates upon all the overflow of his own absolute
contentment. Every one who sees him draws a reflected sympathetic
happiness from the spectacle of his perfect happiness.
The formula expressed in truly royal manners is, I am so contented with
the sense of fulfilment and of universal support that my only want is to
see every one enjoying the same happiness! In a perfected state the
formula of democratic manners will be identical with this. For then the
whole community with its solidarity of wealth and power will be the
sustaining environment whereof each individual is a centre. But as yet
the private fortune of each man is his selfishly isolated environment;
and the totality of individual environments bristles with hostility,
while every one tries to break into and absorb the neighboring ones.
Public-domain text, read in full here on John Shaqi.
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