Life of Edwin Forrest, the American Tragedian. Volume 2 (of 2)Alger, Horatio, Jr.
General
Life of Edwin Forrest, the American Tragedian. Volume 2 (of 2)
Alger, Horatio, Jr.
Forrest, Edwin, 1806-1872
All forms of experience are laid bare in the palace of the king. Every
variety of character and of fortune is stripped of its disguises there;
every mode of behavior, every rank of motives, exposed in its true
signals. The lynx-eyed and selfish scrutiny which has its seat there
utilizes this knowledge, and the rules and methods in which ages have
generalized it, to endow the imperial profession with the peculiar
attributes and treasures by which they govern. The true function of the
king or other ruler is to represent the whole people with his
superiority of position and endowment, to warn, guide, enlighten, and
bless them, using all his privileges faithfully for their service. But
the reverse of this has been his prevailing vice in all times. He has
used his power for his own selfish luxury and the emoluments of his
favorites, making government less a means of universal welfare and more
a means of exalting the few at the cost of the many. The game of
comparisons, instead of being made a divine play of variety and surprise
in service and love, has been made a cruel engine for the oppression of
the weak by the strong. The individual interest of the governing class
has perverted its universal function into a personal privilege. The
genius of the palace is selfish luxury in irresponsible power.
In the tent of the general the same revelation of the secrets of human
nature is made as in the royal palace, and the skill in assuming
authority and in controlling men thereby acquired is embodied in the
military profession, which is always the right arm of the imperial
profession. The genuine office of the martial profession is to raise the
protecting and executive energy of a nation to its maximum by scientific
precision of movement and unquestioning obedience to command. Its
twofold vice has been the fostering of a love of war or reckless spirit
of conquest, and the making of the officer a martinet and of the soldier
a puppet utterly mindless of right or wrong in their blind obedience to
orders. An army is a machine of destruction wielded by the most
consummate art the world has yet known. When that absolute obedience and
that perfect discipline and that matchless devotion become intelligent
and free, and are directed to beneficent ends, they will redeem the
world. But thus far the genius of the military headquarters is arbitrary
power in automatic drill to avenge and to destroy.
Public-domain text, read in full here on John Shaqi.
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