Life of Her Most Gracious Majesty the Queen — Volume 1Tytler, Sarah
History
Life of Her Most Gracious Majesty the Queen — Volume 1
Tytler, Sarah
Victoria, Queen of Great Britain, 1819-1901
The romantic, richly-wooded beauty of Dunkeld was increased by a
picturesque camp of Athole Highlanders, to the number of a thousand men,
with their piper in attendance. They had been called out for her
Majesty's benefit by the late Duke of Athole, then Lord Glenlyon, who was
suffering from temporary blindness, so that he had to be led about by Lady
Glenlyon, his wife. At Dunkeld the Queen lunched, and walked down the
ranks of Highland soldiers. The piper played, and a reel and the ancient
sword-dance, over crossed swords--the nimble dancer avoiding all contact
with the naked blades--were danced. The whole scene--royal guests, noble
men and women, stalwart clansmen in their waving dusky tartans--must have
been very animated and striking in the lovely autumn setting of the
mountains when the ling was red, the rowan berries hung like clusters of
coral over the brown burns, and a field of oats here and there came out
like a patch of gold among the heather. To put the finishing-touch to the
picture, the grey tower of Gawin Douglas's Cathedral, still and solemn,
kept watch over the tomb of the Wolf of Badenoch.
But Dunkeld was not the Queen's destination. She was going still farther
into the Highlands. She left the mountains of Craig-y-barns and
Craig-vinean behind her, and travelled on by Aberfeldy to Taymouth, the
noble seat of the Marquis of Breadalbane. Lord Glenlyon's Highlanders
gave place to Lord Breadalbane's, the Murrays, in their particular set of
tartan with their juniper badge, to the Campbells and the Menzies, in
their dark green and red and white kilts, with the tufts of bog myrtle and
ash in their bonnets. The pipers were multiplied, and a company of the
92nd Highlanders replaced the 42nd, in kilts like their neighbours. "The
firing of the guns," wrote the Queen, "the cheering of the great crowd,
the picturesqueness of the dresses, the beauty of the surrounding country
with its rich background of wooded hills, altogether formed one of the
finest scenes imaginable. It seemed as if a great chieftain in olden
feudal times was receiving his sovereign. It was princely and romantic."
Such a "sovereign" of such a "chief" is the crowned lady, every inch a
queen, represented in Durham's bust reproduced in the illustration.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account