The Queen was to land by crossing the deck of a vessel moored along the quay and mounting a ladder, the steps of which were covered with crimson velvet. At five o'clock in the afternoon the King and his whole family, a great cortege, arrived on horseback and in open chars-a-bancs. Prince Joinville had met the yacht at Cherbourg and gone on board. As soon as it lay-to the King came alongside in his barge. The citizen King was stout, florid, and bluff-looking, with thick grizzled hair brushed up into a point. As the exiled Duke of Orleans, in the days of the great Revolution, he had been a friend of the Queen's father, the Duke of Kent. The King did not fail to remind his guest of this, after he had kissed her on each check, kissed her hand, and told her again and again how delighted he was to see her. When the two sovereigns entered the barge the standards of England and France were hoisted together, and amidst royal salutes from the vessels in the roads and from the batteries on shore, to the music of regimental bands, in the sunset of a fine autumn evening the party landed. At the end of the jetty the ladies of the royal family of France with their suites stood in a curved line. Queen Amelie, with her snowy curls and benevolent face, was two paces in advance of the others. Behind her were her daughter and daughter-in-law, the Queen of the Belgians and the widowed Duchesse d'Orleans, who appeared in public for the first time since her husband's death a year before. A little farther back stood Madame Adelaide, the King's sister, and the other princesses, the younger daughter and the daughters-in-law of the house. Louis Philippe presented Queen Victoria to his Queen, who "took her by both hands and saluted her several times on both cheeks with evident warmth of manner." Queen Louise, and at least one of the other ladies, were well known to the visitor, whom they greeted gladly, while the air was filled with shouts of "Vive la Reine Victoria!" "Vive la Reine d'Angleterre!" The Queen, who was dressed simply, as usual, in a purple satin gown, a black mantilla trimmed with lace, and a straw bonnet with straw-coloured ribands and one ostrich feather, immediately entered the King's char-a-bancs, which had a canopy and curtains that were left open. Lady Bloomfield describes it as drawn by twelve large clumsy horses. There was a coachman on the box, with three footmen behind, and there was "a motley crowd of outriders on wretched horses and dressed in different liveries." The other chars-a-bancs with six horses followed, and the whole took their, way to the Chateau, a quaint and pleasant dwelling, some of it as old as the time of the Great Mademoiselle.