Life of Her Most Gracious Majesty the Queen — Volume 1Tytler, Sarah
History
Life of Her Most Gracious Majesty the Queen — Volume 1
Tytler, Sarah
Victoria, Queen of Great Britain, 1819-1901
A still more welcome surprise to Her Majesty was a miniature of Prince
Albert in armour, according to a fancy of the Queen's, by Thorburn, a
likeness which proved the best of all the portraits taken of the Prince,
the most successful in catching the outward look when it expressed most
characteristically the man within. This picture, together with that of the
angels holding a medallion bearing the inscription "_Heil und segen_"
(Health and Blessing), and all the other presents were placed in a room
"turned into a bower by dint of enormous garlands."
The Queen and the Prince's relations with artists were naturally, from the
royal couple's artistic tastes, intimate and happy. Accordingly, many
pictures not only of great personages in State ceremonies, but of family
groups in the simplicity of domestic life, survive as a proof of the
connection. Vandyck did not paint Charles I. and Henrietta Maria more
frequently than Landseer and some of his contemporaries painted her
Majesty, with her husband and children, in the bright and unclouded summer
of her life; and Vandyck, never painted his royal patrons in such easy
unaffected guise and everyday circumstances. There is such a picture of
Landseer's, well known from engravings, in which the Prince is represented
in a Highland dress returned late from shooting, seated, surrounded by the
trophies of his sport in deer, blackcock, &c. &c., and by a whole colony
of delighted dogs,--beautiful Eos conspicuous by her sobriety and reserve,
while an enraptured terrier presses forward to lick his master's hand. The
Queen, dressed for dinner and still girlish-looking in her white satin,
stands talking to the Prince. The Princess Royal, a chubby child of two or
three, is prowling childlike among the dead game, curiously making her
investigations.
Of many stories told of royal visits to studios, there are two which refer
to an _enfant terrible_, the baby son of one of the painters. This
small man having undertaken to be cicerone to his father's work, sought
specially to point out to her Majesty that two elves were likenesses of
himself and a little brother, "only, you know, we don't go about without
clothes at home," he volunteered the confidential explanation.
The same child horrified an attentive audience by declining to receive a
gracious advance made to him by the Queen, asserting with the utmost
candour, "I don't like you."
"But why don't you like me, my boy?" inquired the loving mother of other
little children, in some bewilderment.
"Because you are the Queen of England and you killed Queen Mary," the
ardent champion of the slain Queen answered boldly.
Public-domain text, read in full here on John Shaqi.
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