The house is built of reddish granite in what is called the baronial style, with a sprinkling of peaked gables and pepper-box turrets, and a square tower with a clock which is said to keep the time all over the parish. Above the principal entrance are the coats of arms, carved, coloured, and picked out with gold. There are two bas-reliefs serving to indicate the character of the building--a hunting-lodge under the patronage of St. Hubert, supported by St. Andrew of Scotland and St. George of England, the stag between whose antlers the sacred cross sprang, forming part of the representation. The other bas-relief shows groups of men engaged in Highland games. Within doors many a relic of the chase appears in antlered heads surmounting inscriptions in brass of the date of the slaying of the stag and the name of the slayer. The engravings on the walls are mostly of mountain landscapes and sporting scenes, in which Landseer's hand is prominent, and of family adventures in making this ascent or crossing that ford. The furniture is as Scotch as may be--chairs and tables, with few exceptions, of polished birch hangings and carpets with the tartan check on the velvet pile, the royal "sets" in all their bewildering variety: "royal Stewart," strong in scarlet; "Victoria," with the check relieved on a white ground; "Albert," on a deep blue, and "hunting Stewart," which suddenly passes into a soft vivid green, crossed by lines of red and yellow. Drawing-room, dining-room, billiard-room, and library are spacious enough for royalty, while small enough for comfort when royalty is in happy retreat in little more than a large family circle rusticating from choice. The corridors look brown and simple, like the rest of the house, and lack the white statuary of Osborne, and the superb vases, cabinets, and pictures of Buckingham Palace and Windsor. By the chimney-piece in the entrance hall rest the tattered colours once borne through flood and field by two famous regiments, one of them "the Cameronians."