The Queen has left her mark on the palaces and humbler houses which have been her homes. In indicating it we have nothing to do with grey Windsor in its historical glories, or even in its more picturesque lights. We leave behind the Waterloo Gallery, the Garter-room and the quaint cottages of the Poor Knights in order to point out the touches which are the tokens of Queen Victoria's presence. Though she dwelt here principally in the bright days of her early reign, the chief signs which she will leave behind her are those of her widowhood and of the faithful heart which has never forgotten its kindred dead. The most conspicuous work of the Queen's is the restoration and rechristening of the Wolsey Chapel. As the Albert Chapel, the beautiful little building is fall of the thought of him who was once master here. Its rich mosaics, stained glass, "pictures for eternity" fretted in marble, scriptural allegories of all the virtues--the very medallions of his children which surmount these unfading pictures, are all in his honour. Specially so is the pure white marble figure of the Prince, represented as a knight in armour, lying sword in hand, his feet against the hound--the image of loyalty, while round the pedestal is carved his name and state, and the place of his burial, with the epitaph which fits him well, "I have fought the good fight, I have finished my course." In St. George's Chapel her Majesty has erected five monuments. A recumbent marble figure on an alabaster sarcophagus is to her father, who was so fond of the infant daughter whom he left a helpless baby. A white marble statue, larger than life, in royal robes, is to the man who took the Duke of Kent's place, Leopold I., King of the Belgians, of whom his niece could cause to be written with perfect truth "who was as a father to her, and she was to him as a daughter." This statue is reared near the well-known monument to the dead King's never forgotten first wife, Princess Charlotte of Wales. [Footnote: Princess Alice mentions in one of her published letters that King Leopold had entertained a wish that he might be buried in England.] The third and fourth monuments are to the Queen's aunt and cousin, the good Duchess of Gloucester and the late King of Hanover. The last was executed by the Queen's nephew, Count Gleichen (Prince Victor Hohenlohe). The inscription has several pathetic allusions. "Here has come to rest among his kindred, the royal family of England, George V., the last King of Hanover." "Receiving a kingdom which cannot be moved." "In this light he shall see light." The fifth monument has been raised to a young eastern prince, son of Theodore, King of Abyssinia, who came to England as a lad and died here "I was a stranger and ye took me in" is the epitaph.