About this time Weimar became the home of Johanna Schopenhauer, the
novelist, the mother of one of the most illustrious philosophers of the
modern world. She was very bright and clever, and had an intense
admiration for Goethe. “He is,” she wrote, “the most perfect being I
know, even in appearance. A tall, fine figure, which holds itself erect,
very carefully clad, always in black or quite dark blue, the hair
tastefully dressed and powdered, as becomes his age, and a splendid face
with two lustrous brown eyes, which are at once mild and penetrating.”
Goethe was grateful to Frau Schopenhauer for receiving his wife with the
respect that was her due. Not every woman of her standing was equally
considerate.
A few years after Goethe’s death a strange book took the world by
surprise--Bettina von Arnim’s “Goethes Briefwechsel mit einem Kinde”
(“Goethe’s Correspondence with a Child”). Bettina was the daughter of
Goethe’s old friend Maximiliane Brentano. While still a very young girl
she fancied that there was some resemblance between herself and Mignon;
and, as Mignon loved Wilhelm Meister, so she loved Goethe. In 1807, when
she was about twenty-two, she came to Weimar, and soon gave evidence of
her remarkable passion, which was, of course, an affair rather of the
fancy than of the heart. Goethe talked with her kindly, but took care
that her enthusiasm should be kept within reasonable bounds. Some years
afterwards (in 1811) Bettina married the poet Arnim. She had the bad
taste to insult Christiane, who very properly responded by forbidding
her to enter Goethe’s house again. To Bettina’s surprise, he
energetically supported his wife’s decision. There was nothing about
which he was so sensitive as the treatment accorded to his wife, and
Bettina had to reconcile herself to the discovery that in her relation
to Goethe she was, in comparison with the woman whom she had held in
such low esteem, of very little importance. The letters published after
his death, and attributed to him, are in reality as much Bettina’s work
as Goethe’s.
Public-domain text, read in full here on John Shaqi.
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