Life of John Keats: His Life and Poetry, His Friends, Critics and After-FameColvin, Sidney
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Life of John Keats: His Life and Poetry, His Friends, Critics and After-Fame
Colvin, Sidney
Keats, John, 1795-1821; Poets, English -- 19th century -- Biography
He finds himself on a green hillside with the Indian maiden beside him,
and in a long impassioned protestation renounces his past dreams,
condemns his presumptuous neglect of human and earthly joys, and
declares his intention to live alone with her for ever and (not
forgetting to propitiate the Olympians) to shower upon her all the
treasures of the pastoral earth:--
O I have been
Presumptuous against love, against the sky,
Against all elements, against the tie
Of mortals each to each, against the blooms
Of flowers, rush of rivers, and the tombs
Of heroes gone! Against his proper glory
Has my own soul conspired: so my story
Will I to children utter, and repent.
There never liv'd a mortal man, who bent
His appetite beyond his natural sphere,
But starv'd and died. My sweetest Indian, here,
Here will I kneel, for thou redeemed hast
My life from too thin breathing: gone and past
Are cloudy phantasms. Caverns lone, farewell!
And air of visions, and the monstrous swell
Of visionary seas! No, never more
Shall airy voices cheat me to the shore
Of tangled wonder, breathless and aghast.
Here Keats spins and puts into the mouth of Endymion wooing the Indian
maiden a long, and in some at least of its verses exquisite, pastoral
fantasia recalling, and no doubt partly founded on, the famous passage
in Ovid, itself founded on one equally famous in Theocritus, where
Polyphemus woos the nymph Galatea.[11] Apparently, though it was through
sympathy with the human sorrow of the Indian damsel that Endymion has
first been caught, he proposes to enjoy her society now in detachment
from all other human ties as well as from all transcendental dreams and
ambitions.
But the damsel is aware of matters which prevent her from falling in
with her lover's desires. She puts him off, saying that she has always
loved him and longed and languished to be his, but that this joy is
forbidden her, or can only be compassed by the present death of both
(that is, to the mortal in love with the spirit of poetry and poetic
beauty no life of mere human and earthly contentment is possible); and
so she proposes to renounce him. Despondingly they wander off together
into the forest.
Public-domain text, read in full here on John Shaqi.
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