Life of John Keats: His Life and Poetry, His Friends, Critics and After-FameColvin, Sidney
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Life of John Keats: His Life and Poetry, His Friends, Critics and After-Fame
Colvin, Sidney
Keats, John, 1795-1821; Poets, English -- 19th century -- Biography
The woes of Troy, towers smothering o'er their blaze,
Stiff-holden shields, far-piercing spears, keen blades,
Struggling, and blood, and shrieks.
From a passage like the following any reasonably sympathetic reader of
Keats's day, running through the poem to find what manner and variety of
promise it might contain, should have augured well of another kind of
power, the dramatic and ironic, to be developed in due time. The speaker
is the detected witch Circe uttering the doom of her revolted lover
Glaucus:--
'Ha! ha! Sir Dainty! there must be a nurse
Made of rose leaves and thistledown, express,
To cradle thee, my sweet, and lull thee: yes,
I am too flinty-hard for thy nice touch:
My tenderest squeeze is but a giant's clutch.
So, fairy-thing, it shall have lullabies
Unheard of yet: and it shall still its cries
Upon some breast more lily-feminine.
Oh, no--it shall not pine, and pine, and pine
More than one pretty, trifling thousand years.
... Mark me! Thou hast thews
Immortal, for thou art of heavenly race:
But such a love is mine, that here I chase
Eternally away from thee all bloom
Of youth, and destine thee towards a tomb.
Hence shalt thou quickly to the watery vast;
And there, ere many days be overpast,
Disabled age shall seize thee: and even then
Thou shalt not go the way of aged men;
But live and wither, cripple and still breathe
Ten hundred years: which gone, I then bequeath
Thy fragile bones to unknown burial.
Adieu, sweet love, adieu!'
A vein very characteristic of Keats at this stage of his mind's growth
is that of figurative confession or self-revelation. Many passages in
_Endymion_ give poetical expression to the same alternating moods of
ambition and humility, of exhilaration, depression, or apathy, which he
confides to his friends in his letters. One of the most striking and
original of these pieces of figurative psychology studied from his own
moods is the description of the Cave of Quietude in Book IV:--
There lies a den,
Beyond the seeming confines of the space
Made for the soul to wander in and trace
Its own existence, of remotest glooms.
Dark regions are around it, where the tombs
Of buried griefs the spirit sees, but scarce
One hour doth linger weeping, for the pierce
Of new-born woe it feels more inly smart:
And in these regions many a venom'd dart
At random flies; they are the proper home
Of every ill: the man is yet to come
Who hath not journeyed in this native hell.
But few have ever felt how calm and well
Sleep may be had in that deep den of all.
There anguish does not sting; nor pleasure pall:
Woe-hurricanes beat ever at the gate,
Yet all is still within and desolate.
... Enter none
Who strive therefore: on the sudden it is won.
Public-domain text, read in full here on John Shaqi.
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