Life of John Keats: His Life and Poetry, His Friends, Critics and After-FameColvin, Sidney
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Life of John Keats: His Life and Poetry, His Friends, Critics and After-Fame
Colvin, Sidney
Keats, John, 1795-1821; Poets, English -- 19th century -- Biography
But let us for our purpose rather take, as illustrating the relations of
Keats to his classic and Elizabethan sources, two of the incidental
lyrics in his poem. There are four such lyrics in _Endymion_ altogether.
Two of them are of small account,--the hymn to Neptune and Venus at the
end of the third book, and the song of the Constellations in the middle
of the fourth. The other two, the hymn to Pan in Book I and the song of
the Indian maiden in Book IV, are among Keats's very finest
achievements. The hymn to Pan is especially interesting in comparison
with two of Keats's Elizabethan sources, Chapman's translation of the
Homeric hymn and Ben Jonson's original hymns in his masque of _Pan's
Anniversary_. Here is part of the Homeric hymn according to Chapman:--
Sing, Muse, this chief of Hermes' love-got joys,
Goat-footed, two-horn'd, amorous of noise,
That through the fair greens, all adorn'd with trees,
Together goes with Nymphs, whose nimble knees
Can every dance foot, that affect to scale
The most inaccessible tops of all
Uprightest rocks, and ever use to call
On Pan, the bright-haired God of pastoral;
Who yet is lean and loveless, and doth owe
By lot all loftiest mountains crown'd with snow;
All tops of hills, and cliffy highnesses,
All sylvan copses, and the fortresses
Of thorniest queaches here and there doth rove,
And sometimes, by allurement of his love,
Will wade the wat'ry softnesses. Sometimes
(In quite oppos'd _capriccios_) he climbs
The hardest rocks, and highest, every way
Running their ridges. Often will convey
Himself up to a watch-tow'r's top, where sheep
Have their observance. Oft through hills as steep
His goats he runs upon, and never rests.
Then turns he head, and flies on savage beasts,
Mad of their slaughters...
(When Hesp'rus calls to fold the flocks of men)
From the green closets of his loftiest reeds
He rushes forth, and joy with song he feeds.
When, under shadow of their motions set,
He plays a verse forth so profoundly sweet,
As not the bird that in the flow'ry spring,
Amidst the leaves set, makes the thickets ring
Of her sour sorrows, sweeten'd with her song,
Runs her divisions varied so and strong.
And here are two of the most characteristic strophes from Ben Jonson's
hymns:--
Pan is our all, by him we breathe, we live,
We move, we are; 'tis he our lambs doth rear,
Our flocks doth bless, and from the store doth give
The warm and finer fleeces that we wear.
He keeps away all heats and colds,
Drives all diseases from our folds:
Makes every where the spring to dwell,
The ewes to feed, their udders swell;
But if he frown, the sheep (alas)
The shepherds wither, and the grass.
Strive, strive to please him then by still increasing thus
The rites are due to him, who doth all right for us.
* * * * *
Public-domain text, read in full here on John Shaqi.
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