The man in office, finding Wordsworth did not know who he was, said in a spasmodic and half-chuckling anticipation of assured victory, 'I have had the honour of some correspondence with you, Mr Wordsworth.' 'With me, sir?' said Wordsworth, 'not that I remember.' 'Don't you, sir? I am a comptroller of stamps.' There was a dead silence;--the comptroller evidently thinking that was enough. While we were waiting for Wordsworth's reply, Lamb sung out Hey diddle diddle, The cat and the fiddle. 'My dear Charles!' said Wordsworth,-- Diddle diddle dumpling, my son John, chaunted Lamb, and then rising, exclaimed, 'Do let me have another look at that gentleman's organs.' Keats and I hurried Lamb into the painting-room, shut the door and gave way to inextinguishable laughter. Monkhouse followed and tried to get Lamb away. We went back but the comptroller was irreconcilable. We soothed and smiled and asked him to supper. He stayed though his dignity was sorely affected. However, being a good-natured man, we parted all in good humour, and no ill effects followed. All the while, until Monkhouse succeeded, we could hear Lamb struggling in the painting-room and calling at intervals, 'Who is that fellow? Allow me to see his organs once more.' It was indeed an immortal evening. Wordsworth's fine intonation as he quoted Milton and Virgil, Keats's eager inspired look, Lamb's quaint sparkle of lambent humour, so speeded the stream of conversation, that in my life I never passed a more delightful time. All our fun was within bounds. Not a word passed that an apostle might not have listened to. It was a night worthy of the Elizabethan age, and my solemn Jerusalem flashing up by the flame of the fire, with Christ hanging over us like a vision, all made up a picture which will long glow upon-- that inward eye Which is the bliss of solitude. Keats made Ritchie promise he would carry his _Endymion_ to the great desert of Sahara and fling it in the midst. To complete our impression of Wordsworth at this time of his winter visit to London in his forty-eighth year, let us turn for a moment to Leigh Hunt's recollections of his looks and ways about the same time. Certainly I never beheld eyes that looked so inspired or supernatural. They were like fires half burning, half smouldering, with a sort of acrid fixture of regard, and seated at the end of two caverns. One might imagine Ezekiel or Isaiah to have had such eyes.... He had a dignified manner, with a deep roughish but not unpleasing voice, and an exalted mode of speaking. He had a habit of keeping his left hand in the bosom of his waistcoat; and in this attitude, except when he turned round to take one of the subjects of his criticism from the shelves, he was dealing forth his eloquent but hardly catholic judgments. Hazlitt, in words written a few years later, gives a nearly similar portrait:--