Life of John Keats: His Life and Poetry, His Friends, Critics and After-FameColvin, Sidney
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Life of John Keats: His Life and Poetry, His Friends, Critics and After-Fame
Colvin, Sidney
Keats, John, 1795-1821; Poets, English -- 19th century -- Biography
[1] This account was published in _The Plymouth and Devonport Weekly
Journal_, beginning October 1, 1840, but was unluckily stopped after
the fourth number and carries us no farther than to Ballantrae on the
Ayrshire coast. I believe this is the first time that it has been
used or quoted.
[2] Does the reader remember how in a similar scene from the other
side of the Solway, in Scott's _Redgauntlet_, Dame Martin, leading
the dance, 'frisked like a kid, snapped her fingers like castanets,
whooped like a Bacchanal, and bounded from the floor like a tennis
ball'?
[3] It is interesting to note that the present poet laureate has
found something in this piece entitling it to a place in his severely
sifted anthology, _The Spirit of Man_.
[4] The words are King Lear's (act v, sc. iii).
[5] This metre is essentially the same as the 'common' measure, eight
and six, of the hymn-books, only printed out in single lines to be
spoken without--or with only very slight--pause. At the point quoted
Keats varies it, whether carelessly or on purpose, and the first
lines of three successive couplets, beginning from 'Runnels,' etc.,
are not in fourteeners but in twelves or Alexandrines (='short
measure,' six and six, printed out). A similar variation is frequent
in early examples of the metre.
[6] Printed in error 'Glenside' in all the editions: but the MS. is
quite clear, and even were it not so topography would require
Glencroe.
[7] See John Campbell of Islay, _Popular Tales of the West Highlands_
(1860), vol. ii, p. 52. I owe the suggestion and the reference to my
friend Prof. W. P. Ker. Personally I have always associated the magic
casements with the Enchanted Castle of Claude's picture representing
a very different scene. But the poet's mind is a crucible made for
extracting from ingredients no matter how heterogeneous the
quintessence, the elixir, which it needs.
CHAPTER X
SEPTEMBER-DECEMBER 1818: _BLACKWOOD_ AND THE _QUARTERLY_
_Blackwood's Edinburgh Magazine_--Partisan excesses--Wild
inconsistency--Virulences of first number--The 'Z' papers and Leigh
Hunt--Blackwood and Walter Scott--_The Chaldee Manuscript_--Scott's
warning to Lockhart--Lockhart and Keats--'Z' on _Endymion_--A lesson
to critics--Marks of Lockhart's hand--The Quarterly on
_Endymion_--Indignant friends: Bailey--Reynolds--Woodhouse and
Taylor--Keats's composure under attack--Subsequent effects--Tom Keats
_in extremis_--Three months by the sick-bed--First Journal-letter to
America--Dread of love and marriage--Death of Tom Keats.
Public-domain text, read in full here on John Shaqi.
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