Life of John Keats: His Life and Poetry, His Friends, Critics and After-FameColvin, Sidney
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Life of John Keats: His Life and Poetry, His Friends, Critics and After-Fame
Colvin, Sidney
Keats, John, 1795-1821; Poets, English -- 19th century -- Biography
each was at one time supposed to be editor, but neither ever admitted as
much or received separate payment for editorial work. They were really
chief contributors and trusted and insistent chief advisers, but
Blackwood never let go his own control, and took upon himself, now with
effrontery, now with evasion, occasionally with compromise made and
satisfaction given, all the risks and rancours which the threefold
management chose to incur.
Wilson's obstreperousness, even when he had in some degree sobered down
as a university professor, was at all times irresponsible and
irrepressible, but for some of the excesses of those days he expressed
regret and tried to make atonement; while Lockhart, the vitriol
gradually working out of his nature in the sunshine of domestic
happiness and of Scott's genial and paternal influence, sincerely
repented them when it was too late. But they lasted long enough to
furnish one of the most deplorable chapters in our literary history. The
fury of political party spirit, infesting the whole field of letters,
accounts for, without excusing much. It was a rough unscrupulous time,
the literary as well as the political atmosphere thick, as we have seen,
with the mud and stones of controversy, flung often very much at random.
The _Quarterly_, as conducted by the acrid and deformed pedant Gifford,
had no mercy for opponents: and one of the harshest of its contributors
was the virtuous Southey. On the other side the Edinburgh, under the
more urbane and temperate Jeffrey, could sneer spitefully at all times
and abuse savagely enough on occasion, especially when its contributor
was Hazlitt. If a notorious Edinburgh attack on Coleridge's _Christabel_
volume was really by Hazlitt, as Coleridge always believed and Hazlitt
never denied, he in that instance added unpardonable personal
ingratitude to a degree of critical blindness amazing in such a man.
Even Leigh Hunt, in private life one of the most amiable of hearts,
could in controversy on the liberal side be almost as good a damner (to
use Keats's phrase) as his ally, the same Hazlitt himself. But nowhere
else were such felon strokes dealt in pure wantonness of heart as in the
early numbers of Blackwood. The notorious first number opened with an
article on Coleridge's _Biographia Literaria_ even more furiously
insulting than the aforesaid Edinburgh article on _Christabel_
attributed to Hazlitt. But for Hazlitt Coleridge was in politics an
apostate not to be pardoned, while for the Blackwood group he was no
enemy but an ally. Why treat him thus unless it were merely for the
purpose of attracting a scandalized attention? More amazing even than
the virulence of Blackwood was its waywardness and inconsistency. Will
it be believed that less than three years later the same Coleridge was
being praised and solicited--and what is more, successfully
solicited--for contributions? Again, nothing is so much to the credit of
Public-domain text, read in full here on John Shaqi.
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