Life of John Keats: His Life and Poetry, His Friends, Critics and After-FameColvin, Sidney
General
Life of John Keats: His Life and Poetry, His Friends, Critics and After-Fame
Colvin, Sidney
Keats, John, 1795-1821; Poets, English -- 19th century -- Biography
'That amiable but infatuated bardling, Mister John Keats,' had received
a certain amount of attention from 'Z' already, both in the quotation
from Cornelius Webb prefixed to the Cockney school articles, and in
allusion to Hunt's pair of sonnets on the intercoronation scene which he
had printed in his volume, _Foliage_, since the 'Z' series began. When
now Keats's own turn came, in the fourth article of the series, his
treatment was almost mild in comparison with that of his supposed
leader. 'This young man appears to have received from nature talents of
an excellent, perhaps even of a superior, order--talents which, devoted
to the purposes of any useful profession, must have rendered him a
respectable, if not an eminent citizen.' But, says the critic, he has
unfortunately fallen a victim to the _metromania_ of the hour; the
wavering apprentice has been confirmed in his desire to quit the
gallipots by his admiration for 'the most worthless and affected of all
the versifiers of our time.' 'Mr Hunt is a small poet, but he is a
clever man, Mr Keats is a still smaller poet, and he is only a boy of
pretty abilities which he has done everything in his power to spoil.'
And so on; and so on; not of course omitting to put a finger on real
weaknesses, as lack of scholarship, the use of Cockney rimes like
_higher_, _Thalia_; _ear_, _Cytherea_; _thorn_, _fawn_; deriding the
Boileau passage in _Sleep and Poetry_, and perceiving nothing but laxity
and nervelessness in the treatment of the metre. In the conceit of
academic talent and training, the critic shows himself open-eyed to all
the faults and stone-blind to all the beauty and genius and promise, and
ends with a vulgarity of supercilious patronage beside which all the
silly venial faults of taste in Leigh Hunt seem like good breeding
itself.
And now, good-morrow to 'the Muses' son of Promise;' as for 'the feats
he yet may do,' as we do not pretend to say like himself, 'Muse of my
native land am I inspired,' we shall adhere to the safe old rule of
_pauca verba_. We venture to make one small prophecy, that his
bookseller will not a second time venture L50 upon any thing he can
write. It is a better and a wiser thing to be a starved apothecary
than a starved poet; so back to the shop Mr John, back to 'plasters,
pills, and ointment boxes,' etc. But, for Heaven's sake, young
Sangrado, be a little more sparing of extenuatives and soporifics in
your practice than you have been in your poetry.
Public-domain text, read in full here on John Shaqi.
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