Since these firm expressions of indifference to critical attack have been before the world, it has been too confidently assumed that Shelley and Byron were totally misled and wide of the mark when they believed that _Blackwood_ and the _Quarterly_ had killed Keats or even much hurt him. But the truth is that not they, but their consequences, did in their degree help to kill him. It must not be supposed that such words of wisdom and composure, manifestly sincere as they are, represent the whole of Keats, or anything like the whole. They represent, indeed, the admirably sound and manly elements which were a part of him: they show us the veins of what Matthew Arnold calls flint and iron in his nature uppermost. But he was no Wordsworth, to remain all flint and iron in indifference to derision and in the scorn of scorn. He had not only in a tenfold degree the ordinary acuteness of a poet's feelings: he had the variable and chameleon temperament of which he warns Woodhouse while in the very act of re-assuring him: he had along with the flint and iron a strong congenital tendency, against which he was always fighting but not always successfully, to fits of depression and self-torment. Moreover the reviews of those days, especially the _Edinburgh_ and _Quarterly_, had a real power of barring the acceptance and checking the sale of an author's work. What actually happened was that when a year or so later Keats began to realise the harm which the reviews had done and were doing to his material prospects, these consequences in his darker hours preyed on him severely and conspired with the forces of disease and passion to his undoing. For the present and during the first stress of the _Blackwood_ and _Quarterly_ storms, he was really living under the pressure of another and far more heartfelt trouble. His friends the Dilkes, before they heard of his intended return from Scotland, had felt reluctantly bound to write and summon him home on account of the alarming condition of his brother Tom, whom he had left behind in their lodgings at Well Walk. In fact the case was desperate, and for the next three months Keats's chief occupation was the harrowing one of watching and ministering to this dying brother. In a letter written to Dilke in the third week of September, he speaks thus of his feelings and occupations:-- I wish I could say Tom was better. His identity presses upon me so all day that I am obliged to go out--and although I had intended to have given some time to study alone, I am obliged to write and plunge into abstract images to ease myself of his countenance, his voice, and feebleness--so that I live now in a continual fever. It must be poisonous to life, although I feel well. Imagine 'the hateful siege of contraries'--if I think of fame, of poetry, it seems a crime to me, and yet I must do so or suffer.' And again about the same time to Reynolds:--