Life of John Keats: His Life and Poetry, His Friends, Critics and After-FameColvin, Sidney
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Life of John Keats: His Life and Poetry, His Friends, Critics and After-Fame
Colvin, Sidney
Keats, John, 1795-1821; Poets, English -- 19th century -- Biography
could not help admiring our seamen--neither officer nor man in the
whole Boat mov'd a muscle--they scarcely notic'd it even with words.
Forgive me for this flint-worded Letter, and believe and see that I
cannot think of you without some sort of energy--though mal a propos.
Even as I leave off it seems to me that a few more moments' thought of
you would uncrystallize and dissolve me. I must not give way to
it--but turn to my writing again--if I fail I shall die hard. O my
love, your lips are growing sweet again to my fancy--I must forget
them.
The old cathedral city of Winchester, with its peaceful closes breathing
antiquity, its hurrying limpid chalk-streams and beautiful elm-shadowed
meadow walks, and the tonic climate of its surrounding downs, 'where the
air,' he writes, 'is worth sixpence a pint,' exactly suited Keats, and
he quickly improved both in health and spirits. The days he spent here,
from the middle of August to the second week of October, were the last
good days of his life. Working with a steady intensity of application,
he managed, as the last extract shows, to steel himself for the time
being against the importunity of his passion, although never without a
certain feverishness in the effort, and to keep the thought of money
troubles at bay by buoying himself up with the firm hope of a stage
success. His work continued to be chiefly on _Lamia_, with the
concluding part of _Otho_, and the beginning of a new tragedy on the
story of King Stephen. In the last act of _Otho_ and the opening scenes
(which are all he did) of _King Stephen_ he laboured alone, without
accepting help from Brown. On the 25th of August he writes to Reynolds,
as usual more gravely and openly than to any other correspondent, of his
present feelings in regard to life and literature.
The more I know what my diligence may in time probably effect, the
more does my heart distend with Pride and Obstinacy[2]--I feel it in
my power to become a popular writer--I feel it in my power to refuse
the poisonous suffrage of a public. My own being which I know to be
becomes of more consequence to me than the crowds of Shadows in the
shape of men and women that inhabit a kingdom. The soul is a world of
itself, and has enough to do in its own home. Those whom I know
already, and who have grown as it were a part of myself, I could not
do without: but for the rest of mankind, they are as much a dream to
me as Milton's Hierarchies. I think if I had a free and healthy and
lasting organization of heart, and lungs as strong as an ox's, so as
to be able to bear unhurt the shock of extreme thought and sensation
without weariness, I could pass my life very nearly alone though it
should last eighty years. But I feel my body too weak to support me to
the height, I am obliged continually to check myself, and be nothing.
Public-domain text, read in full here on John Shaqi.
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