but the negotiations for its publication were not complete until April 27, 1667, on which day John Milton, "in consideration of five pounds to him now paid by Samuel Symmons, and other the considerations herein mentioned," assigned to the said Symmons, "all that book, copy, or manuscript of a poem intituled 'Paradise Lost,' or by whatsoever ether title or name the same is or shall be called or distinguished, now lately licensed to be printed." The other considerations were the payment of the like sum of five pounds upon the entire sale of each of the first three impressions, each impression to consist of thirteen hundred copies. "According to the present value of money," says Professor Masson, "it was as if Milton had received £17 10s. down, and was to expect £70 in all. That was on the supposition of a sale of 3,900 copies." He lived to receive ten pounds altogether; and his widow in 1680 parted with all her interest in the copyright for eight pounds, Symmons shortly afterwards reselling it for twenty-five. He is not, therefore, to be enumerated among those publishers who have fattened upon their authors, and when the size of the book and the unfashionableness of the writer are considered, his enterprise may perhaps appear the most remarkable feature of the transaction. As for Milton, we may almost rejoice that he should have reaped no meaner reward than immortality. It will have been observed that in the contract with Symmons "Paradise Lost" is said to have been "lately licensed to be printed." The censorship named in "Areopagitica" still prevailed, with the difference that prelates now sat in judgment upon Puritans. The Archbishop gave or refused license through his chaplains, and could not be ignored as Milton had ignored the little Presbyterian Popes; Geneva in his person must repair to Lambeth. Chaplain Tomkyns, who took cognisance of "Paradise Lost," was fortunately a broad-minded man, disposed to live and let live, though scrupling somewhat when he found "perplexity" and "fear of change" imputed to "monarchs." His objections were overcome, and on August 20, 1667--three weeks after the death of Cowley, and eight days after Pepys had heard the deceased extolled as the greatest of English poets--John Milton came forth clad as with adamantine mail in the approbation of Thomas Tomkyns. The moment beseemed the event, it was a crisis in English history, when heaven's "golden scales" for weighing evil against good were hung-- "Betwixt Astrea and the Scorpion sign,"