[Footnote 24: The following is Lord Byron's version of this touching narrative; and it will be felt, I think, by every reader, that this is one of the instances in which poetry must be content to yield the palm to prose. There is a pathos in the last sentences of the seaman's recital, which the artifices of metre and rhyme were sure to disturb, and which, indeed, no verses, however beautiful, could half so naturally and powerfully express:-- "There were two fathers in this ghastly crew, And with them their two sons, of whom the one Was more robust and hardy to the view, But he died early; and when he was gone, His nearest messmate told his sire, who threw One glance on him, and said, 'Heaven's will be done, I can do nothing,' and he saw him thrown Into the deep without a tear or groan. "The other father had a weaklier child, Of a soft cheek, and aspect delicate; But the boy bore up long, and with a mild And patient spirit held aloof his fate; Little be said, and now and then he smiled, As if to win a part from off the weight He saw increasing on his father's heart, With the deep, deadly thought, that they must part. "And o'er him bent his sire, and never raised His eyes from off his face, but wiped the foam From his pale lips, and ever on him gazed, And when the wish'd-for shower at length was come, And the boy's eyes, which the dull film half glazed, Brighten'd, and for a moment seem'd to roam, He squeezed from out a rag some drops of rain Into his dying child's mouth--but in vain. "The boy expired--the father held the clay, And look'd upon it long, and when at last Death left no doubt, and the dead burden lay Stiff on his heart, and pulse and hope were past, He watch'd it wistfully, until away 'Twas borne by the rude wave wherein 'twas cast: Then he himself sunk down all dumb and shivering, And gave no sign of life, save his limbs quivering." DON JUAN, CANTO II. In the collection of "Shipwrecks and Disasters at Sea," to which Lord Byron so skilfully had recourse for the technical knowledge and facts out of which he has composed his own powerful description, the reader will find the account of the loss of the Juno here referred to.] [Footnote 25: This elegy is in his first (unpublished) volume.] [Footnote 26: See page 25.] [Footnote 27: For the display of his declamatory powers, on the speech-days, he selected always the most vehement passages,--such as the speech of Zanga over the body of Alonzo, and Lear's address to the storm. On one of these public occasions, when it was arranged that he should take the part of Drances, and young Peel that of Turnus, Lord Byron suddenly changed his mind, and preferred the speech of Latinus,--fearing, it was supposed, some ridicule from the inappropriate taunt of Turnus, "Ventosâ in linguâ, _pedibusque fugacibus istis_."]