Life of Lord Byron, Vol. 3: With His Letters and JournalsMoore, Thomas
General
Life of Lord Byron, Vol. 3: With His Letters and Journals
Moore, Thomas
Byron, George Gordon Byron, Baron, 1788-1824; Poets, English -- 19th century -- Biography
"Methinks this is as pretty a moral tale as any of Marmontel's.
Here is another. The same lady, several years ago, made an escapade
with a Swede, Count Fersen (the same whom the Stockholm mob
quartered and lapidated not very long since), and they arrived at
an Osteria on the road to Rome or thereabouts. It was a summer
evening, and, while they were at supper, they were suddenly regaled
by a symphony of fiddles in an adjacent apartment, so prettily
played, that, wishing to hear them more distinctly, the Count rose,
and going into the musical society, said, 'Gentlemen, I am sure
that, as a company of gallant cavaliers, you will be delighted to
show your skill to a lady, who feels anxious,' &c. &c. The men of
harmony were all acquiescence--every instrument was tuned and
toned, and, striking up one of their most ambrosial airs, the whole
band followed the Count to the lady's apartment. At their head was
the first fiddler, who, bowing and fiddling at the same moment,
headed his troop and advanced up the room. Death and discord!--it
was the Marquis himself, who was on a serenading party in the
country, while his spouse had run away from town. The rest may be
imagined--but, first of all, the lady tried to persuade him that
she was there on purpose to meet him, and had chosen this method
for an harmonic surprise. So much for this gossip, which amused me
when I heard it, and I send it to you, in the hope it may have the
like effect. Now we'll return to Venice.
"The day after to-morrow (to-morrow being Christmas-day) the
Carnival begins. I dine with the Countess Albrizzi and a party, and
go to the opera. On that day the Phenix, (not the Insurance Office,
but) the theatre of that name, opens: I have got me a box there for
the season, for two reasons, one of which is, that the music is
remarkably good. The Contessa Albrizzi, of whom I have made
mention, is the De Stael of Venice, not young, but a very learned,
unaffected, good-natured woman, very polite to strangers, and, I
believe, not at all dissolute, as most of the women are. She has
written very well on the works of Canova, and also a volume of
Characters, besides other printed matter. She is of Corfu, but
married a dead Venetian--that is, dead since he married.
Public-domain text, read in full here on John Shaqi.
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