Life of Lord Byron, Vol. 4: With His Letters and JournalsMoore, Thomas
General
Life of Lord Byron, Vol. 4: With His Letters and Journals
Moore, Thomas
Byron, George Gordon Byron, Baron, 1788-1824; Poets, English -- 19th century -- Biography
In addition to the motives easily conceivable for exchanging such a
society for one that offered, at least, repose from such erudite
efforts, there was also another cause more immediately leading to the
discontinuance of his visits to Madame A * *. This lady, who has been
sometimes honoured with the title of "The De Stael of Italy," had
written a book called "Portraits," containing sketches of the characters
of various persons of note; and it being her intention to introduce Lord
Byron into this assemblage, she had it intimated to his Lordship that an
article in which his portraiture had been attempted was to appear in a
new edition she was about to publish of her work. It was expected, of
course, that this intimation would awaken in him some desire to see the
sketch; but, on the contrary, he was provoking enough not to manifest
the least symptoms of curiosity. Again and again was the same hint, with
as little success, conveyed; till, at length, on finding that no
impression could be produced in this manner, a direct offer was made, in
Madame A * *'s own name, to submit the article to his perusal. He could
now contain himself no longer. With more sincerity than politeness, he
returned for answer to the lady, that he was by no means ambitious of
appearing in her work; that, from the shortness, as well as the distant
nature of their acquaintance, it was impossible she could have qualified
herself to be his portrait-painter, and that, in short, she could not
oblige him more than by committing the article to the flames.
Whether the tribute thus unceremoniously treated ever met the eyes of
Lord Byron, I know not; but he could hardly, I think, had he seen it,
have escaped a slight touch of remorse at having thus spurned from him a
portrait drawn in no unfriendly spirit, and, though affectedly
expressed, seizing some of the less obvious features of his
character,--as, for instance, that diffidence so little to be expected
from a career like his, with the discriminating niceness of a female
hand. The following are extracts from this Portrait:--
"'Toi, dont le monde encore ignore le vrai nom,
Esprit mysterieux, Mortel, Ange, ou Demon,
Qui que tu sois, Byron, bon ou fatal genie,
J'aime de tes conceits la sauvage harmonie.'
LAMARTINE.
Public-domain text, read in full here on John Shaqi.
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