Life of Lord Byron, Vol. 4: With His Letters and JournalsMoore, Thomas
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Life of Lord Byron, Vol. 4: With His Letters and Journals
Moore, Thomas
Byron, George Gordon Byron, Baron, 1788-1824; Poets, English -- 19th century -- Biography
In speaking of the Venetian women, in one of the preceding letters,
Lord Byron, it will be recollected, remarks, that the beauty for which
they were once so celebrated is no longer now to be found among the
"Dame," or higher orders, but all under the "fazzioli," or kerchiefs, of
the lower. It was, unluckily, among these latter specimens of the "bel
sangue" of Venice that he now, by a suddenness of descent in the scale
of refinement, for which nothing but the present wayward state of his
mind can account, chose to select the companions of his disengaged
hours;--and an additional proof that, in this short, daring career of
libertinism, he was but desperately seeking relief for a wronged and
mortified spirit, and
"What to us seem'd guilt might be but woe,"--
is that, more than once, of an evening, when his house has been in the
possession of such visitants, he has been known to hurry away in his
gondola, and pass the greater part of the night upon the water, as if
hating to return to his home. It is, indeed, certain, that to this least
defensible portion of his whole life he always looked back, during the
short remainder of it, with painful self-reproach; and among the causes
of the detestation which he afterwards felt for Venice, this
recollection of the excesses to which he had there abandoned himself was
not the least prominent.
The most distinguished and, at last, the reigning favourite of all this
unworthy Harem was a woman named Margarita Cogni, who has been already
mentioned in one of these letters, and who, from the trade of her
husband, was known by the title of the Fornarina. A portrait of this
handsome virago, drawn by Harlowe when at Venice, having fallen into the
hands of one of Lord Byron's friends after the death of that artist, the
noble poet, on being applied to for some particulars of his heroine,
wrote a long letter on the subject, from which the following are
extracts:--
"Since you desire the story of Margarita Cogni, you shall be told
it, though it may be lengthy.
"Her face is the fine Venetian cast of the old time; her figure,
though perhaps too tall, is not less fine--and taken altogether in
the national dress.
Public-domain text, read in full here on John Shaqi.
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