Life of Lord Byron, Vol. 6: With His Letters and JournalsMoore, Thomas
General
Life of Lord Byron, Vol. 6: With His Letters and Journals
Moore, Thomas
Byron, George Gordon Byron, Baron, 1788-1824; Poets, English -- 19th century -- Biography
His agreement, in some other features of character, with Petrarch, I
have already had occasion to remark[1]; and if it be true, as is
often surmised, that Byron's want of a due reverence for Shakspeare
arose from some latent and hardly conscious jealousy of that poet's
fame, a similar feeling is known to have existed in Petrarch towards
Dante; and the same reason assigned for it,--that from the living he
had nothing to fear, while before the shade of Dante he might have
reason to feel humbled,--is also not a little applicable[2] in the
case of Lord Byron.
[Footnote 1: Some passages in Foscolo's Essay on Petrarch may be
applied, with equal truth, to Lord Byron.--For instance, "It was
hardly possible with Petrarch to write a sentence without portraying
himself"--"Petrarch, allured by the idea that his celebrity would
magnify into importance all the ordinary occurrences of his life,
satisfied the curiosity of the world," &c. &c.--and again, with still
more striking applicability,--"In Petrarch's letters, as well as in
his Poems and Treatises, we always identify the author with the man,
who felt himself irresistibly impelled to develope his own intense
feelings. Being endowed with almost all the noble, and with some of
the paltry passions of our nature, and having never attempted to
conceal them, he awakens us to reflection upon ourselves while we
contemplate in him a being of our own species, yet different from any
other, and whose originality excites even more sympathy than
admiration."]
[Footnote 2: "II Petrarca poteva credere candidamente ch'ei non
pativa d'invidia solamente, perche fra tutti i viventi non v'era chi
non s'arretrasse per cedergli il passo alla prima gloria, ch'ei non
poteva sentirsi umiliato, fuorche dall' ombra di Dante."]
Between the dispositions and habits of Alfieri and those of the noble
poet of England, no less remarkable coincidences might be traced; and
the sonnet in which the Italian dramatist professes to paint his own
character contains, in one comprehensive line, a portrait of the
versatile author of Don Juan,--
"Or stimandome Achille ed or Tersite."
Public-domain text, read in full here on John Shaqi.
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