THE NINETY-FIVE THESES.
The first occasion for the struggle which led to the great division
in the Christian world was given by that magnificent edifice of
ecclesiastical splendour intended by the popes as the creation of
the new Italian art; by the building, in a word, of St. Peter's
Church, which had already been commenced when Luther was at Rome.
Indulgences were to furnish the necessary means. Julius II. had now
been succeeded on the Papal chair by Leo X. So far as concerned the
encouragement of the various arts, the revival of ancient learning,
and the opening up, by that means, to the cultivated and upper
classes of society of a spring of rich intellectual enjoyment, Leo
would have been just the man for the new age. But whilst actively
engaged in these pursuits and pleasures, he remained indifferent to
the care and the spiritual welfare of his flock, whom as Christ's
vicar he had undertaken to feed. The frivolous tone of morals that
ruled at the Papal see was looked upon as an element of the new
culture. As regards the Christian faith, a blasphemous saying is
reported of Leo, how profitable had been the fable of Christ. He had
no scruples in procuring money for the new church, which, as he
said, was to protect and glorify the bones of the holy Apostles, by
a dirty traffic, pernicious to the soul. Meanwhile, the popes were
not ashamed to appropriate freely to their own needs that indulgence
money, which was nominally for the Church and for other objects,
such as the war against the Turks.
In order to appreciate the nature of these indulgences and of
Luther's attack upon them, it is necessary first to realise more
exactly the significance which the teachers of the Church ascribed
to them. The simple statement that absolution or forgiveness of sins
was sold for money, must in itself be offence enough to any moral
Christian conscience; and we can only wonder that Luther proceeded
so prudently and gradually towards his object of getting rid of
indulgences altogether. But the arguments by which they were
explained and justified did not sound so simple or concise.
[Illustration: Leo X. (From his Portrait by Raphael.)]
Public-domain text, read in full here on John Shaqi.
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