The same hall in which the trial had taken place, was prepared for the execution. At the upper end was the scaffold, covered with black cloth, and elevated about two feet from the floor. A chair was placed on it for the Queen of Scots. On one side of the block stood two executioners, and on the other, the Earls of Kent and Shrewsbury; Beal and the Sheriff were immediately behind. The scaffold was railed off from the rest of the hall, in which Sir Amias Paulet with a body of guards, the other Commissioners, and some gentlemen of the neighbourhood, amounting altogether to about two hundred persons, were assembled. Mary entered leaning on the arm of her physician, while Sir Andrew Melvil carried the train of her robe. She was in full dress, and looked as if she were about to hold a drawing-room, not to lay her head beneath the axe. She wore a gown of black silk, bordered with crimson velvet, over which was a satin mantle; a long veil of white crape, stiffened with wire, and edged with rich lace, hung down almost to the ground; round her neck was suspended an ivory crucifix; and the beads which the Catholics use in their prayers, were fastened to her girdle. The symmetry of her fine figure had long been destroyed by her sedentary life; and years of care had left many a trace on her beautiful features. But the dignity of the Queen was still apparent; and the calm grace of mental serenity imparted to her countenance at least some share of its former loveliness. With a composed and steady step she passed through the hall, and ascended the scaffold,--and as she listened unmoved, whilst Beal read aloud the warrant for her death, even the myrmidons of Elizabeth looked upon her with admiration.[206]