Composers -- Austria -- Biography; Mozart, Wolfgang Amadeus, 1756-1791
We know what Mozart’s heart-felt religious feeling was. He disclosed
it in the frankest way whenever a proper occasion offered. He was just
as honestly attached to his Church. When he was starting on his great
Parisian journey, in the interest of his art, his father wrote him:
“May the grace of God attend you everywhere, may it never forsake you,
and it never will forsake you, if you are industrious to fulfill the
duties of a really good Catholic.” But at this time, the necessity
of examining the great questions of life, death and immortality, and
of disclosing to each other, in earnest conversation, the questions
of the soul, was very generally felt, by people even outside the
Church. And this all the more, because neither the Protestant nor
the Catholic service seemed able to satisfy the spiritual cravings
of the educated. The Protestant Church was divided into the opposing
parties of orthodoxy and rationalism. The Catholic Church had grown
torpid, stereotyped in dogma, and its worship had sunk almost to
the level of mere theatrical mummery. Oneness of spirit soon led to
leagues or unions and orders of which the order of Free Masons attained
the greatest importance. Of the men who constantly bore in mind the
intellectual life and elevation of the German people, Lessing, Wieland,
Herder and Goethe belonged to this order. And since it was its aim to
realize the highest virtues of Christianity, the purification of the
mind and heart by the sacrifice of self, and the assistance of all men,
it was impossible that a man like Mozart should not have felt drawn to
it.
He joined the order in Vienna, and so true did the doctrine of the
sanctifying nature of death as the real “object and aim of life,” and
as the symbol of the self-sacrifice we should be ever ready to make
of ourselves, seem to him that he did not rest until he had induced
his father to join it also. They, indeed, destroyed the correspondence
with one another, on this subject. But the _Magic Flute_ bears witness
to the earnestness with which Mozart held to these sublime truths of
Christianity, even outside the Church. Its history is as follows:
Public-domain text, read in full here on John Shaqi.
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