5. Concerto di Violino d'un Professore.
6. Aria composta e cantata nell' atto stesso dal Sign. Amadeo all'
improwiso, co' debiti accompagnamenti eseguiti sul Cembalo, sopra parole
fatte espressamente; ma da lui non vedute in prima.
7. Altra sonata di Cembalo, composta insieme ed eseguita dal medesimo
sopra un motivo musicale propostogli improwissamente dal primo Violino.
8. Aria d'un Professore.
9. Concerto d'Oboè d'un Professore.
10. Fuga musicale, composta ed eseguita dal. Sign. Amadeo gul Cembalo;
e condotta a compiuto termine secondo le leggi del contrappunto, sopra
un semplice tema per la medesima presentatogli all' im-prowiso.
11. Sinfonia dal medesimo, concertata con tutte le parte sul Cembalo
sopra una sola parte di Violino postagli dinanzi improwisamente.
12. Duetto di Professori.
13. Trio in cui il Sign. Amadeo ne suonerà col Violino una parte all
improwiso.
14. Sinfonia ultima di composizione del Suddetto.
{THE ITALIAN TOUR.}
(110)
The result was brilliant, the applause indescribable, and, according to
a newspaper account, the musicians in Mantua were unanimous in declaring
that this youth was born to surpass the most accomplished masters of the
art.
This notice and others dwell chiefly on the precocious performances of
the youthful prodigy. But wonderful as were Wolfgang's accomplishments
as a clavier-player, violinist, and vocalist, they were thrown into the
shade by his talents as a composer. Even in his public performances the
prominence given to improvisation is remarkable, and the readiness
with which he adapted the most varied subjects, always fulfilling the
conditions of musical art, presupposes not only great liveliness of
imagination, but a perfect mastery of mechanical form. In estimating
Mozart's early acquirements, the most impressive fact to be noticed is
the absence of any exaggeration of feeling or over-cultivation; all is
natural and unstrained. His talent was no forced exotic, which springs
up quickly and as quickly withers away; it was a plant of healthy
growth, coming gradually to maturity; and the mechanical skill acquired
in youth was the best foundation for the free creative power of manhood.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account