chorus in nine parts.[35] This performance was universally considered
as one of the most wonderful in Rome; the impression made by it in
conjunction with the solemn rites it accompanied was always described
as overpowering.[36] "You know," writes L. Mozart, "that this celebrated
Miserere is so jealously guarded, that members of the chapel are
forbidden, under pain of excommunication, to take their parts out of
the chapel, or to copy or allow it to be copied.[37] We have got it,
notwithstanding. Wolfgang has written it down, and I should have sent
it to Salzburg in this letter, were not our presence necessary for
its production. More depends on the performance than even on the
composition.[38] Besides, we must not let our secret fall into other
hands, _ut non incurramus mediate vel immediate in censuram ecclesiæ_."
When the performance was repeated on Good Friday, Wolfgang took
his manuscript with him into the chapel, and holding it in his hat,
corrected some passages where his memory had not been quite true. The
affair became known, and naturally made a great sensation; Wolfgang
was called upon to execute the Miserere in presence of the Papal singer
Christofori, who was amazed at its correctness. L. Mozart's news excited
consternation in Salzburg, mother and daughter believing that Wolfgang
had sinned in transcribing the Miserere, and fearing unpleasant
consequences if it should become known. "When we read your ideas about
the
{MOZART'S RECEPTION IN ROME.}
(121)
Miserere," answered the father, "we both laughed loud and long. You need
not be in the least afraid. It is taken in quite another way. All Rome,
and the Pope himself, know that Wolfgang has written the Miserere, and
instead of punishment it has brought him honour. You must not fail to
show my letter everywhere, and let his Grace the Archbishop know of it."
The Mozarts prepared at once to take part in all the festivities of Holy
and Easter weeks. "Our handsome dress," writes L. Mozart, "our German
speech, and the want of ceremony with which I call to our servant to
order the Swiss guard to make way for us, help us through everywhere."
He appears to have been flattered that Wolfgang was sometimes taken for
a German nobleman or prince, and he for his tutor. At the cardinals'
table Wolfgang stood near the seat of Cardinal Pallavicini, who asked
him his name. On hearing it he inquired in surprise, "What! are you the
famous boy of whom I have heard so much?" talked to him kindly, praised
his Italian, and spoke broken German to him.
Public-domain text, read in full here on John Shaqi.
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