[Footnote 9: The portrait has been recovered by Sonnleithner's exertions, and in now in his possession.] [Footnote 10: S. Mayr, Die ehem. Univ. Salzburg, p. 12.] [Footnote 11: Winckelmann, Briefe, pp. 271,279, 324; II., p. 48.] [Footnote 12: Schlozer's Life, I., pp. 96, 276, 313. Cf. Duten's Mém., I., p. 327. Teutsch. Mercur, 1789, III., p. 301.] [Footnote 13: Teutsch. Mercur, 1775, III., p. 247.] [Footnote 14: Griesinger, Biogr. Not., p. 15. Carpani, Haydine, p. 56.] [Footnote 15: The song "Misero tu non sei" (Anh. 2 K.), which Wolfgang composed in Milan, is from Metastasio's "Demetrio" (Act i, sc. 4), which he had heard shortly before in Mantua; it has not been preserved.] [Footnote 16: A gigliato, Florentine goldgulden, was about equal to a ducat.] [Footnote 17: Cf. Kelly's Remin., I., p. 74.] [Footnote 18: G. Gaspari, La Musica in Bologna, p. 19.] [Footnote 19: Esemplare osia saggio fondamentale pratico di contrappunto. Bol., 1774-75.] [Footnote 20: Burney, Reise, I., p. 144.] [Footnote 21: This was shown in his conduct to Grétry (Mém., I., p. 91), Naumann (Meissner, Biogr., I., p. 150), and Burney (Reise, I., p. 142).] [Footnote 22: Chrysander, Handel, II., p. 378.] [Footnote 23: Burney, Reise, I., p. 150.] [Footnote 24: Mancini, Rifless. sul Canto Figurato, p. 152.] [Footnote 25: Dittersdorfs account in his Autobiography of his stay at Bologna in 1762, and his intercourse with P. Martini and Farinelli, will be found interesting (p. 110).] [Footnote 26: Burney, Reise, I., p. 149.] [Footnote 27: A short Osanna in four parts, with accompaniment for strings, in complicated canon form (223 K.) shows the same tendency.] [Footnote 28: Cf. for the mottoes of these, Padre Martini, Esemplare, II., p. xxv.] [Footnote 29: Cf. Barthold, Die geschichtl. Persdnl., in Casanova's Memoiren, II., p. 177.] [Footnote 30: Cf. Schubart, Deutsche Chron., 1776, pp. 499, 554, 613.] [Footnote 31: Barney, Reise, I., p. 185.] [Footnote 32: Kelly, Remin., I., p. 225.] [Footnote 33: He was drowned at a water party (Parke, Mus. Mem., I., p. 204). Holmes says that his brother Ozias Linley preserved an Italian letter from Mozart to Thomas Linley.] [Footnote 34: Rochlitz (Für Freunde d. Tonk., II., p. 284), highly coloured as usual.] [Footnote 35: On Holy Thursday, the Misereres of Anerio, Naldini, and Scarlatti were performed in turns, until in 1714 Bai's Miserere displaced them. Since 1821 Allegri's Miserere has only been sung once. Baini, Mem. Stor. Crit., II., p. 195. Kandler, G. Pierluigi da Palestrina, p. 96.] [Footnote 36: Cf. Burney's more critical account (Reise, I., p. 203) and Mendelssohn's (Reise-briefe, pp. 122, 163).]