At the beginning of the second act Idomeneo is in conversation with
Arbace. He communicates to him his fearful vow, from the fulfilment
of which he wishes to escape. Arbace represents to him that this is
impossible. But when he hears that Idamante is to be the sacrifice,
he counsels his being sent to a distant country, and that during his
banishment they should seek to appease the wrath of Neptune. Idomeneo
decides upon commanding Idamante to accompany Electra to Argos, and
there ascend the throne, and commissions Arbace to bid him prepare for
the journey. Arbace promises obedience (aria, 11), and departs. Ilia now
appears, expresses delight at Idomeneo's safety, and, while extolling
Idamante's goodness, declares her own gratitude and submission (aria,
12). Her warmth causes Idomeneo to suspect their love, and his grief and
confusion are thereby augmented (aria, 13). Electra, entering, thanks
him for his care. He leaves her alone, and she expresses her joy at the
fulfilment of her dearest wishes (aria, 14). The warriors assemble
in the harbour to the sound of a march (15). Electra appears with her
followers, the sea is calm, and all look forward to a fortunate voyage
(chorus, 16). Idomeneo dismisses Idamante, who sees in this command a
fresh proof of his father's inexplicable displeasure. They express
their opposing sentiments in a terzet (17). As they prepare to embark, a
terrific storm arises, and a huge sea-monster rises from the waves. This
convinces Idomeneo that his
{IDOMENEO--PLOT.}
(129)
disobedience has offended Neptune, and he determines to die himself, and
not to sacrifice the innocent. "The storm continues to rage, the Cretans
fly, and the act closes with the expression of their fear and horror by
singing and pantomimic dancing."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account