I should like to play through my opera to him, and then some good
fugues--that is what he has most taste for. Oh! if I had only known
that I was to be in Vienna during Lent, I would have written a little
oratorio, and performed it for my own benefit, as is the custom here.
I could easily have written it beforehand, for I know all the voices
here. How I should like to give a public concert! but it would not be
allowed,
I know for certain; for, just imagine! you know that there is a Society
here which gives concerts for the benefit of the widows of musicians,
and every one at all connected with music plays there gratis. The
orchestra is 180 strong.[7] No one who pretends to any philanthropy
refuses to play when the Society calls upon him to do so; it is a sure
way also to the favour of the Emperor and of the public. Starzer was
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commissioned to request me to play, and I willingly agreed, subject to
the consent of my Prince, of which I had little doubt, seeing that it
was a religious kind of performance, and gratuitous. He refused his
permission, however, and all the nobility have taken it ill of him. I am
only sorry on this account: the Emperor is to be in the proscenium box,
and I should have preluded quite alone, and then played a fugue and the
variations, "Je suis Lindor." The Countess Thun would have lent me her
beautiful pianoforte by Stein for the purpose. Whenever I have played
the variations in public they have been greatly applauded. They are
easily understood, and every one finds something to his taste.
In this instance, however, the Archbishop was obliged to give way. The
institution for the widows and orphans of Vienna musicians, founded
by the kapellmeister Florian Gassmann, in 1771, enjoyed the highest
patronage; and the four concerts given annually for its benefit--two
during Advent, and two in Passion week--were as well supported by
celebrated composers and performers as by the public. Starzer went to
the concert at Prince Gallitzin's, and he and all the nobility teased
the Archbishop so long for his consent that he could not withhold it.
"I am so glad!" exclaims Mozart, when he informs his father of this.[8] The
programme of the thirty-fourth concert for the benefit of the Society of
Musicians at Vienna, on April 3, 1781, contained the following:[9]--
The Herr Ritter W. A. Mozart will then perform alone on the pianoforte.
He visited Vienna as a child of seven years old, and then excited the
universal admiration of the public by his compositions, his insight into
the art of music, and his extraordinary facility of touch and execution.
Public-domain text, read in full here on John Shaqi.
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