The Messmer family had offered Mozart apartments in their house in the
suburbs, but he could not make up his mind to accept the offer: "The
house is not what it was," he writes to his sister (December 15, 1781).
Messmer had staying with him at the time Vine. Righini (1756-1812),
formerly an opera-buffa singer and then a composer; they were on very
intimate terms, and Madame Messmer was especially friendly to Righini.
The latter, as Mozart informs his father in answer to his inquiries,
makes a great deal of money by giving lessons, and his cantata (probably
"Il Natale d' Apollo") had been given twice during Lent with great
success. "He writes _prettily_; is not superficial, but a great thief.
He gives back his stolen goods so unblushingly and in such overflowing
abundance that people can hardly digest them" (August 29, 1781).[2]
Another musical family would have been glad to receive him as an inmate,
and his father appears to have been not unwilling that he should form
a closer connection in this case. Wolfgang had been introduced to Herr
Aurnhammer, whose "fat lady-daughter" Josephine was considered one of
the first clavier-players of the day. They received him kindly, and
often invited him, as he informs his father (June 27, 1781): "I dine
almost daily with Herr Aurnhammer; the young lady is a horror--but she
plays divinely; she seems
{COURTSHIP.}
(252)
to lose her really refined taste in singing, however, and drags
everything."[3]
It would have been convenient to them that Mozart should be in their
immediate neighbourhood. But he was far from satisfied with the quarters
which they offered him; it was a room "for rats and mice, but not for
human beings. The stairs need a lantern to light them at noonday; and
the room might be called a _cell._ The wife herself called the house
a rat's nest--in fact it was really dreadful." Nor did he feel any
inclination for closer intercourse with this family, whose motives in
wishing for him he believed that he saw through. Seeing that his father
had set his mind upon his going, he felt constrained to set the two
sides of the question before him. The description which follows is
somewhat "schlimm" certainly, but too characteristic of the writer to be
omitted:--
Public-domain text, read in full here on John Shaqi.
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