But Mozart also fortified himself with a glass of wine or punch when he
was in the throes of composition. In one of his apartments his immediate
neighbour was Joh. Mart. Loibl, who was musical and a Freemason,
consequently intimate with Mozart; he had a well-filled wine-cellar, of
the contents of which he was never sparing in entertaining his friends.
The partition wall between the houses was so thin, that Mozart had only
to knock when he wished to attract Loibl's attention; whenever Loibl
heard the clavier going and taps at his wall between the pauses, he used
to send his servant into the cellar, and say to his family, "Mozart
is composing again; I must send him some wine."[107] His wife made him
punch, too, when he was writing the overture to "Don Giovanni" the night
before its performance. Whoever casts a glance over Mozart's scores will
see that they could not have been written in the excitement caused by
wine, so neat and orderly are they even to the smallest details, and in
spite of the most rapid execution; and those who are in a position to
examine any one of his compositions will not need to be told that no
intellect overstrained and excited by artificial means could possibly
have produced such perfect clearness and beauty. Whether Mozart was
right in providing a bodily stimulus in the form of strong drink during
a continuous intellectual strain may well be doubted; experience and
opinions differ widely on this point. Goethe advised that there should
be no forcing an
{MARRIED LIFE.}
(308)
unproductive mood into activity by external means of any kind; but he
answered Eckermann's remark that a couple of glasses of wine were often
of great service in clearing the mental vision, and bringing difficult
subjects to a solution, as follows: "You know my Divan so well that you
will remember that I said myself--
Wenn man getrunken hat,
Weiss man das Rechte,
and that I entirely agree with you. There exist in wine inspiring forces
of a very important kind; but all depends upon circumstances and times
and places, and what is useful to one does harm to another."[108]
Let us now gather into one the separate traits which we have been
constrained to discuss, owing to the wide dissemination of those
injurious reports against which Niemetschek has already rightly
protested.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account