Second Day [The scene is in Seville].--Don Diego Tenorio, Don Juan's old father, acquaints the King with the crime which his son has committed in Naples against Isabella and Ottavio; the King banishes Don Juan from Seville until he shall make reparation by marrying Isabella. Ottavio enters and puts himself under the protection of the King, who promises to demonstrate his innocence in Naples, and to give him the hand of Donna Anna, Ulloa's daughter, and Don Juan's fiancée. Don Juan appears, greets Ottavio in friendly fashion, and enters into a long conversation with the Marquis de la Mota, wherein they discuss the beauties of the day like the regular roués they are; finally the Marquis declares his love for Donna Anna. He has no sooner departed than a note is brought to Don Juan to be conveyed to the Marquis; he opens it, and finding that in it Donna Anna appoints an interview, determines to keep the appointment himself; and he acquaints De la Mota, who returns, with the invitation, but names a later hour. He is as indifferent to his father's sentence of banishment as to his repeated exhortations, and upon the arrival of the Marquis to serenade Donna Anna, he borrows his mantle, ostensibly to enable him to visit one of his many sweethearts, but really that he may gain access to Donna Anna herself. Discovering the deceit, she cries for help; her father stops Don Juan's way with drawn sword, and falls by his hand. The murderer flies; De la Mota enters for the rendezvous; the King, hurrying in with his guards, takes him for the murderer, and delivers him to judgment, commanding a magnificent funeral for the Commandant, and the erection of a monument in his honour. [Country scene.] Patricio is celebrating his wedding with Aminta, when Don Juan, journeying through, mingles with the guests, and placing himself close to the bride, excites the jealousy of the bridegroom. Third Day.--Don Juan prevails upon the jealous Patricio to renounce {DON GIOVANNI.} (148)