Fiordiligi and Dorabella are discovered in their garden by the seashore,
awaiting the arrival of their lovers and lovingly contemplating their
portraits; each declares her lover to be the handsomest and best.
Alfonso entering, brings the direful news that Ferrando and Guillelmo
have been ordered to proceed at once to the field with their regiment.
The lovers enter with melancholy mien to bid adieu, and the two ladies
give vent to heartrending expressions of grief and love. The lovers
express satisfaction thereat to Don Alfonso, who bids them wait for the
end. A military march with a lively chorus is heard in the distance;[13]
the lovers yield themselves to a last fond embrace with sobs and tears,
at which Don Alfonso can hardly keep his countenance. The march again
summons the officers to depart, and the two ladies join with Don Alfonso
in waving their adieux to the retreating bark.
Despina, the waiting-maid of the two ladies, waits for them impatiently
with their chocolate.[14] She is amazed at their entrance in a condition
of violent sorrow, which is expressed by Dorabella more especially in
high tragic style. Her astonishment increases on hearing the cause, and
she advises her mistresses to take the matter easily, and do all they
can to divert their thoughts. The serious reproof with which this
advice is met is answered by her in a tirade on the fickleness of men
in general, and soldiers in particular, whom she declares to deserve no
better treatment.
Don Alfonso, in pursuance of his design, now seeks to gain over Despina.
A few gold pieces and the prospect of a rich reward speedily gain her
promise to admit two friends whom he declares to be madly in love with
her mistresses. He at once introduces Ferrando and Guillelmo in the
garb of wealthy Albanians, and so disguised by great beards as to be
unrecognisable by Despina, who regards them as veritable "antidoto d'
amor." While they are ingratiating themselves with the waiting-maid the
two ladies enter. Their consternation at the presence of strangers turns
to violent indignation when the pretended Albanians proceed without
preface to fall on their knees and make declarations of
{LIBRETTO.}
(241)
love. Don Alfonso, entering to prevent actual scandal, feigns to
recognise old friends in the Albanians, and endeavours to act as
mediator. The strangers continue their bold suit, but Fiordiligi proudly
declares her faith as firm as a rock, and is immovable. The consequence
is that upon Guillelmo renewing his entreaties the two ladies decline to
hear him out, and make their exit. No sooner are they gone than the two
break into loud laughter, which Don Alfonso with difficulty induces
them to moderate. The first attack, which was to carry all by storm, has
failed, and Don Alfonso retires to concoct a new plot with Despina.
Public-domain text, read in full here on John Shaqi.
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