Schikaneder[7] had long varied his favourite farcical pieces by the
production of operas, either adaptations of earlier ones or works
expressly composed for him,[8] and in 1791 he had achieved a great
success with the romantic-comic opera "Oberon, König der Elfen," adapted
by Gieseke from Wieland, and composed by Wranitzky (1756-1808).[9]
The brilliant appointments of scenery, costume, and machinery, and the
satisfaction with which the dramatisation of Wie-land's universally
popular poem was viewed by the public, heightened the interest in the
opera to a degree far beyond the deserts of the light and popular music.
It was first performed in Frankfort during the coronation festivities
in 1790, and, rapidly spreading over the whole German stage, shared, and
for a short time rivalled, the popularity of the "Zauberflöte."[10] In
order to assure himself of a repetition of this success, Schikaneder
selected as a subject for his new opera the tale of Lulu, oder die
Zauberflöte, from Wieland's Dschinnistan.[11] The story is briefly as
follows:--
In the kingdom of Chorassan there dwelt in an old magician's castle
the good fairy Perifirime, called the "radiant fairy." Hunting in the
neighbourhood, Prince Lulu, son of the King of Chorassan, enters the
usually avoided castle, and the fairy, appearing to him in her full
radiance, promises him rich reward if he will obey her behests. She
discloses to him that the wicked magician Dilsenghuin, with the help of
her faithless
{DIE ZAUBERFLÖTE.}
(306)
attendant Barsine, has deprived her of her precious talisman, a golden
fire-steel, which is obeyed by the spirits of the elements and of all
earthly regions, every spark struck from it becoming a powerful spirit,
subject to the possessor; none but a youth whose heart is as yet
untouched by love can regain the talisman for her by stratagem. She
designates Lulu as her deliverer, and promises him the best gift that
she has if he will undertake the task. This is none other than the
beautiful Sidi, daughter of Perifirime and Sabalem, King of Cashmere,
whom the magician keeps in his power, making tender advances to her
which she is only able to resist owing to her magic power of repelling
attacks so long as her heart is untouched by love. The fairy dispatches
Lulu with two magic gifts--a flute which has the power of winning all
hearts, and of exciting and appeasing every passion at will; and a ring,
by turning which the wearer can assume any form, and by throwing it away
can summon the fairy herself to his aid.
Public-domain text, read in full here on John Shaqi.
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