In a metropolis where all is welcome that can vary the tedium of human life, the arrival of any remarkable person is a species of holiday; but such an eminent character as Buonaparte--the conqueror--the sage--the politician--the undaunted braver of every difficulty--the invincible victor in every battle--who had carried the banners of the Republic from Genoa till their approach scared the Pontiff in Rome, and the emperor in Vienna, was no everyday wonder. His youth, too, added to the marvel, and still more the claim of general superiority over the society in which he mingled, though consisting of the most distinguished persons in France; a superiority cloaking itself with a species of reserve, which inferred, "You may look upon me, but you cannot penetrate or see through me."[338] Napoleon's general manner in society, during this part of his life, has been described by an observer of first-rate power; according to whom, he was one for whom the admiration which could not be refused to him, was always mingled with a portion of fear. He was different in his manner from other men, and neither pleased nor angry, kind nor severe, after the common fashion of humanity. He appeared to live for the execution of his own plans, and to consider others only in so far as they were connected with, and could advance or oppose them. He estimated his fellow-mortals no otherwise than as they could be useful to his views; and, with a precision of intelligence which seemed intuitive from its rapidity, he penetrated the sentiments of those whom it was worth his while to study. Buonaparte did not then possess the ordinary tone of light conversation in society; probably his mind was too much burdened or too proud to stoop to adopt that mode of pleasing, and there was a stiffness and reserve of manner which was perhaps adopted for the purpose of keeping people at a distance. His look had the same character. When he thought himself closely observed, he had the power of discharging from his countenance all expression, save that of a vague and indefinite smile, and presenting to the curious investigator the fixed eyes and rigid features of a bust of marble.[339]